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Who wrote prayers. Analysis of the poem Lermontov Mikhail "per minute of life is difficult ..."

Onions, beets, carrots

The most detailed description: Paintings Prayer Author - for our readers and subscribers.

Updated on 11/26/2014 by admin

Picture Themes of genre scenes from life written by oil on canvas. Like many other works of the artist in this genre, the picture turned out to be very kind and gentle. A deep and clear look at the intrameal life of ordinary people, families. In the foreground, a dining table was depicted, two girls and their mother gathered for dinner. The hands of girls are folded into a prayer figure, and they humbly and obediently listen their mother, who teaches them to pronunciation of prayers before meals.

Mother, arranging dishes to dinner, does not forget to repeat the words of prayer to repeat their daughters. Very touching and tender scene, which makes you penetrate the spirit of love for loved ones, to God. Also, the picture shows the toys, which, obviously, playing girls are recently played before sitting at the table. This is a drum and a trunk. The artist with this fragment transferred real obedience and humility of children before the mother, their meek and good temper. Despite the fun and games, they show seriousness and honor to the will of the mother.

The surrounding major scenery speaks about the middle of the family. They cannot be called poor, because girls dresses are quite beautiful, tidy and lush. But it is also difficult to attribute to the ricers, because in the background there is a fairly scarce and modest furnishings in the house.

The picture does not take the brightness of the paints and the abilities of the palette. However, it is precisely this and gives it a special charm and refinement. White colors prevailing in children's clothing, emphasize their innocence and early age. Brown, gray, dark yellow tones of mother and surroundings confirm the realism and vitality of the picture.

In general, the picture is very holistic, revealing the plot to the fullest. Looking at her, covers the sense of tenderness, warmth and comfort.

Religion in painting (part 2 - prayer before meal)

But religion came to replace paganism. In the gospel of Matthew, as Christ himself, "and, taking five breads and two fish, looked at the sky, blessed and, prevented, gave bread to students." (MF.14,19)

And we have a pious custom to conquering food to handle a prayer to God. Isn't it expensive for us that this good custom is consecrated by an example of Jesus Christ himself?

Otherwise, it is not easy to explain why for such a good, as food, for food should be made of special thanks, which is precisely granted and silent appreciation, which we feel enjoying many other gifts in the pleasures of existence.

The words of blessings before eating are not devoid of beauty at the table of the poor man or above the dinner and unassuming food of children. It is here that the gratitude prayer was especially fulfilled by gratitude. A person who lives in need does not know whether he will have food tomorrow or not, and sits down the table with a living feeling that she is good.

Again, the most thanksgiving prayer to the most simple food. The less an appetite is excited, the very mind is free to other thoughts. A person may feel grateful, truly grateful for the dish of a simple lamb with repurrent, and he has leisure to think about the sacrament and rite of food, but when Dichich and Turtle, he inevitably experience the spirit that is incompatible with the appointment of thanksgiving prayer. Combine the voracious arousal with a religious feeling seems to me by blasphemy.

The true subject of thankful prayer is to maintain existence, not a tallest piece; The bread is urgent, and not delicacies; Means to save life, and not to remedy flesh.

Not far from Constantinople, in the deep silence there was a holy hermit. Everyone was worshiped by this wilderness, and many for the benefit of spiritual visited it. Once, in the clothes of a simple warrior, the Roman emperor came to this senior. When conversing the coming guest saw the basket hanging on the wall with dry bread. He wanted to taste this bread. The old man was happy about it, brought a wooden cup with water, put a dry bread there and praying, sat down with his guest for a meal. At the end of the table, the old man brought fresh water and filed a guest. After the meal, the guest opened, who he was, and then said: "So I was born to the king, and now I kingdom, but I never tasted bread, I didn't drink water with such a nice, with what now he ate and drank. How sweet I have your food! "

"We, the monks," the hermit replied, "we take food with a prayer and a blessing, because our brashno, although thin, is sweet. And in your homes they drink and eat without prayer, with noise and celebration, and because of the rich and luxurious meals are tasteless - they lack the delightful blessing of the Lord. "

Thanksgiving prayer - or blessing of food - pronounced before the meal started. Prayer can be read sitting or standing, some pray, leaned with palms about the edge of the table or putting hands on his knees, choir, or repeating about themselves as someone's pronounced by someone. When a clergy is present at lunch, he is usually asked to bless the meal.

The eyes of all on the lady, the Lord, are, and you are giving them food in the bitterness, you turn your generous hand to your own and execute any animal of favor.

Lord, bless us and these gifts are yours, we have born from your generous. In the name of Christ, our Lord, Amen.

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    And also, already directly to this post.

    Once it was shown to me that in the prayer of the Father our last lines are as follows: Yako Your Ess the kingdom, and the power and glory forever and the ages, Amen. Here you can fix it truly knowledgeable.

    Prayer rebar

    Canvas, oil. 2005

    Sergius Radonezh blessed over to the Kulikov battle. Another name of the picture is "prayer before the fight." Here the most important thing is the eyes of the rebar, his eyes. For this, I wrote a picture. It is unlikely to explain anything for a long time. I did not want to artificially create some special atmosphere to convey the mood of the indescribable world of this saint. So he prayed before birth in eternity. She donated the scratch of bread. Here I walked the hedgehog ...

    All this is Russia.

    I wrote, as I felt - what happened, it is not for me, but it is not the main thing. The main thing is that everyone has their own meeting in the depths of the heart with a permit and with himself.

    Dear friends! If you want to have at home, bring in your family, leave your children a particle of that strong Russian spirit, which filled with paintings Pavel Ryzhko, you can order a copy of one of them, performed by the artist himself, transmitting the power, that spirit that the originals Now in the Museum-Manor "Linen Plant". On all questions, write to the mail

    I lived 44 years old, and found exactly what my soul desired. This is my topic! This is my author!

    What a face. How it all completed. BRAVO.

    Excellent performance. Good job.

    All night did not sleep a monk smys

    Prayers godd to God

    Blessing on battle

    He took Sergy from his mouth.

    Skilled warrior Peresvet,

    But he became the usual monk,

    Having absorbed spiritual light.

    And he gave the Lord's oath

    With the Mirsha Life, say

    Heavenly accepted ideal.

    And the Holy Spirit in himself tied,

    Spiritual experience was useful

    On the battle, he rebelled.

    Spear of the enemy will fight him

    But the Spirit of Victory, - God's spark,

    Lit on his man!

    Great. I recently saw this work written by the author himself! Strong work!

    What a powerful image! Such. Truly Russian man, the root, who has accounted for Russian land. It is unlikely that he is a good kind. He is the Russian people himself!

    Paul, thank you! I only today opened you for myself. I was fighting "Kalka". There are no words. And Peresvet - too! How much the picture is lighted!

    And how to see your latest works?

    As sad: it turns out, Paul died. And I did not know!

    Paintings Prayer Author

    We are glad to welcome you on a daily updated art blog - all the most interesting, bright, funny, useful of the world of painting, art. Pictures, artists, genius, creative individuals all this with us. Stay with us will be interesting!

    Nikolai Bessonov "Prayer Picture

    This Entry Was Posted on Saturday, December 6th, 2008 AT 12:47 And Is Filed Under. You can Follow Any Responses to this Entry Through the RSS 2.0 Feed. You can Leave a Response, or Trackback from Your Own Site.

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    Prayer in painting

    Alexander Lavrentievich Vitberg.

    Even your silence can be part of prayer.

    Of public speeches Indian leaders.

    Will help how Pryov Prayer.

    Although prayer comes, yes, there is no proc.

    I cashed into a thread, and everything is not profitable.

    Vasily Vasilyevich Vereshchagin.

    Prayer Buddhist Machine.

    I got up, washed, God prayed and bit.

    Elizabeth Mercuryevna Bathy (Endaurova).

    Pray, and go to the way! Bold God to help!

    The solemn return of the St. Petersburg militia to St. Isaac Square, where the glooming prayer was rugged. June 12 days 1814

    Prokoki Ustyuzhsky prayer takes a cloud stone from the city of Ustyug.

    Nikolai Konstantinovich Roerich.

    Prokopii righteous for unknown floating prays.

    The fall of the Magian Hermogens on the prayer of St. Jacob.

    Rembrandt Harmens Wang Rhine.

    Yuri Konstantinovich Lukhin.

    Prayer of the Hermogeene. Series "Valaam elders".

    Yuri Konstantinovich Lukhin.

    Prayer of St. Sergius. Series "Valaam elders".

    Yuri Konstantinovich Lukhin.

    Narray Yaroslavna. Series "Word about the regiment of Igor".

    Paintings Prayer Author

    Prayer artist

    On April 26, in the Tsarskaya Tower of the Kazan Station - an unusual multimedia presentation of a unique artistic album - Monographs "Dmitry Belyukin" and the opening of the exhibition "Athos"

    In six huge screens for unfair masterpieces of Prokofiev, Tchaikovsky and Rakhmaninov, the monasteries of the Athos, Russian landscapes, panoramas of St. Petersburg Pushkin Powdral, the great poet, scenes from Evgenia Onegin, Holy Places of Orthodoxy, Emperors and Commands, famous historical canvases ...

    Recognizable, but not quite. They were never seen on such a scale. Especially - with the consolidation of important details, the hints of the artist on the cipher embedded in each picture. The cipher, giving the viewer the opportunity to "open" the artistic idea, to see the "second", and maybe "the third" plan.

    So acting artists have not yet been shown. Specialists of the Publishing House "Prepress International" and the team of the Museum named after A.N.Skryababa using the most modern technology processing technologies, complex computer equipment and powerful high-resolution projectors of Panasonic created this evening a fascinating show.

    And the reason for such a richness of paints and images is the most serious. The publication Art Album-Monograph "Dmitry Belyukin". 648 pages, 5.5 kg, silver cut, complex and exquisite registration *, 736 work Popular artist for thirty years, carefully passed on the seal ( what is the big rarity today!) color palette. And quite unexpectedly for such a foliorant - frank, confessional story of the painter itself about the history of famous canvases, which, in fact, is his whole life. The album was released by the publishing house "Prepress International" with the support of the Andrei Foundation for the First-Called and the Center for National Glory. Printed in PNB typography.

    Bellukin with all its creative genre variety, - recognized master of historical painting. Few Matters (and earlier, and, especially, now) are taken for it - the risk is too large: painstaking, sometimes long-term work. (It's easier to write a hundred portraits or commercial landscapes). And Dmitry once in the 80s wrote his first big canvas - "Death of Pushkin." Then at the beginning of the stormy 90s appeared "Mirror" (the terrible page of our story on the degradation, the destruction of the peasantry), "Shards".

    And, of course, monumentally multifigure - "White Russia. Exodus". About the tragedy of a huge country, about the broken threads of the nation, the destruction of the age-old life order, challenges of Christian civilization. How did you manage to convey this empty sky, sky without God, over the go-in a busy ship with a double-headed eagle, the last fragment of the Great Empire?! "I just saw," the artist remembers, "the crowd mechanic, solid. All these caps, clutches, lacing shoes, blouses, caps with lace, canes, Baula and dolls ... " In the costumes "Mosfilm", the Cossacks of the Moscow Earthhood, on Don, in Siberia, in Valdai, - everywhere "mined" for the painting of the Order, uniforms, Frencie, Sineli, Guards boots with Alexandrovsky Cokards: "Sor of Stories", invaluable details, without which never find the historical truth. Hundreds of preparatory etudes, figures, faces of monks, Korornilov, merchants, artistic bohemians ... And then "opened" faces. And the crowd under the brush of the masters turned into an ominous the image of the era. The epochs of the disorder, break, emptying.

    Bellukin is not just the best, but a real expert, Encyclopedist Pushkin Epoch and famous illustrator "Eugene Onegin" . Not competing with Alexander Sergeyevich in a light syllable and wit, small genre pictures transmit the real atmosphere of Pushkin pores with the participation of one of the main characters of the novel - the poet itself. Isn't it wondering how the closure looks like - the beloved berry of the genius; Or that wounded Pushkin specifically put on the sofa in the office of the house on the sink head to the window - so as not to blind light? Or what specific books stood on the shelves near his last refuge (and with the mortal evidence he turned to them: "Farewell, friends!")? And Bellukina is even important even what was in a crumpled sheet of paper at the bed of dying - unnecessary recipe, long detection, last lines?! What did the great poet think about the threshold of eternity?

    With such a subsidism to customs, details, even the fashion of that time, no one approached the immortal novel. But Bulikina and this is not enough - he constantly visits Mikhailovskoye, Trigorskaya, writes many etudes, panoramas, landscapes; For a long time he paints Petersburg with his luxurious bridge-palace graphics of the Neva. Is it easy, tell me, to imagine Tatiana - after all, in the novel about her appearance almost nothing? Or how to catch the plastic of Natalia Nikolayevna's plastic: that pointed look, because of which it is possible for a duel? And here there are no twinkles - no archives and historical surveys will save! Need air, non-bank detail, nerve, recognizable atmosphere of time. Having become acquainted, for example, with the great keeper of Pushkinogory S. Heichenko, in long communication with him for a samovar, Belukin found that Semen Semenovich, who possessed an invaluable archive, sometimes "draws", inventing Pushkin, and ... even more in us curiosity and knowledge.

    The accuracy of historical details, interiors and landscapes of St. Petersburg of the XIH century is characteristic of the whole for the first time collected in one book fully Pushkinian artist.

    ... Once a group of painters went to the sacred Mount Athos. 2033 meters, by the way. Purified from the bags of water and canned food, left next to the path of subframes. And there are no strength, the legs do not listen, the air is missing. At night, on half of the way, the casual monks saved from freezing. Barely climbed. We rose, it seems, everything. The picture, in memory, on the feeling of the experience and extraordinary light over the two-year-old "island of prayer" wrote one. Later "Panorama from the top of the Holy Mountain" Beljukina traveled with the exhibitions of Polmir.

    Gradually born cycle "Holy Places of Orthodoxy" - Absolutely unequase, from the soul, he transfers us from Jerusalem to Solovki, to Pechora, on Valaam, in the quiet monasteries of the Hearts of Russia. Every year this series is updated with new works, and to the opening on the same evening - 26 April - Exposure of the exhibition "Athos". To the 1000th anniversary of the presence of Russians on the Holy Mountain " it's finished Seven new paintings.

    Images of Afona are torture landscapes and interiors of temples and monasteries made during pilgrim trips and creative business trips to the holy mountain. The most monumental works by the artist on Etudam writes in Moscow, in the workshop. Presented wonderful landscapes russian monastery of the Great Martyr and Healer of Panteleimon, Skita Andrei First Called , until the middle of the twentieth century, also belonging to Russia; One of the main monasteries in the Athos Hierarchy of Greek Watopeda, Saint Anna Monasterustares, Pantokrators, Staplekitis, Iveron from the main shrine of Athos - Icon of the goalkeeper (Iverland of God's Mother) and etc.

    This is how the author himself writes about this in the book: "Landscape of holy places is a look from afar with hope and joy, this is the expectation of a miracle. This is an eternal desire to get away from our worldly bustle to another dimension ... With no landscapes, architectures and interior decoration monasteries and abode - they are all incredibly picturesque and beautiful, obviously because The shrine is not ugly. "

    Women, according to the charter of the monastic republic, the entrance to Athos is closed. But not even all Orthodox pilgrims are solved on a difficult rise to the top of the Holy Mountain. Therefore, the Beljukinskaya "Panorama ..." and others (old and new, first exhibited) Pictures of "Athos" will serve in this prepachaty week and good cause Enlightenment, finding faith.

    But after light holiday The Resurrection of Christ will be able to see this unique exposition - the exhibition will last two months.

    How the book was born

    The design of the book performed the famous designer Tatyana Konde . In her portfolio there are a lot of wonderful artistic albums, but the current one is still special . The design of the book does not expose some unnecessary book decorations, everything is subordinated to the main goal - the maximum immersion of the reader into the artist's creative laboratory, a non-fermented contact with real art. Everything, - from a carefully selected bow and tilt of convenient fonts, to the "air" section of sections, "helps to enjoy painting, and not by solving the drawing of the drawing sores. But the chased, only the visible simplicity of this achieved complex technical techniques of the book craft: So for the convex circle in the center of the cover, a specially designed stamp is applied. The effect of the "departure" of the monogram is obtained, as if invited to the sacrament of the bowl of the book. This is a kind of mounted "keyboard", and the key is in the hands of a careful and grateful reader who opens a heavy "brick" of illustrated pages. The gray plush cover of the cover "is highlighted" by silver the cut, is cut off with a strict silver embossed of the title of the first side and the root of the book. Volumetric folio looks like gray medieval castle, noble and knightly representative. Knowing the price. Today, many designers are trying to experiment with textures, formats, unusual combinations of fonts, etc. Sometimes it is curious, but more often - controversial. The genuine classic can not get bored. Especially when the main task - leave alone with the artist, closer, enlarge painting - made!

    In any art album, the main problem is - quality of reproductions . Play for printing (with many technical conventions and restrictions) Genuine colors, halftone, lighting, etc., - everything that splashed the painter on canvas in the catch of inspiration - it is extremely rare. The classics of the past are not offended, but the acting artists see immediately: again the picture has sweated, again the paper does not transmit all the diversity of the energies of the smears, "the colorwoman of the soul." Very experienced (twenty years of history!) Team of color corrector, computer designers of the publishing house "PREPRESS INTERNATIONAL" (Id "Market International") for a long time and carefully worked on preparing a book in print. Months, and even years - spent in editors along with the author at the monitor, witchcraft with measuring equipment and color coverage profiles, selection of a special printing method, scrupulous work with a selected printing house (making, paper selection, etc.); Hundreds of digital and offset samples, reversal bands ... Working with the legendary Russian printer Anatoly Fedorovich Makhlov (now he heads the Riga printing house PNB). And finally, the recognition of the author himself: "I like it, I have never prone to my Pushkin, historical works, played landscapes, portraits were highlighted ..."

    And in the end is born how Dmitry Anatolyevich loves to speak, one more art - art to watch picture . And the art of the artist is right in Okudzhava - "Draw our destinies"! He draws!

    Penetrated portraits prohibited to show censorship (in the mid-80s!) Series "Wounds of Afghanistan" , battle canvases, delightful landscapes of Valdai, Far East ... For the first time Presented the most complete collection of graphics , the best fragments of famous paintings. Generously scattered on the pages of the book. Accurate comments from famous art historians, critics.

    Oddly enough, the album "Dmitry Bel'ukin" must not be considered and read . Read the hidden subtext laid there, to come to the truths of friends and not very paintings. Then you will understand what the artist Dmitry Belyukin is about: "Flowers can not write irritated ... The prayer of the artist is his picture ... I staped paints and shoved a blow to such a light strength ... Before you write a picture, you need to see it ... "

    It would seem who is interested in all this "kitchen"? But this book lives long . And even more so, if it is an art album. On it will be judged by the descendants - what lived, what did you think as the world saw their ancestors. There are eternal values! And in the current anxiety of being, art still saves from despondency, gives faith and hope.

    * Circulation 1500 copies (text - in Russian and English) almost immediately makes a released album bibliographic rarity.

    o. Binding Cover Material - gray exclusive Italian artificial leather, truly plush, with a finely pronounced, pleasant to the touch texture;

    Mirotisy silver foil on 1 side and root;

    Pancake hot stamping;

    Special raise circle with a monogram unique stamp;

    Silvering Curb of the book block glossy foil;

    Block 290x335 mm With a special 150-gram paper of elevated whiteness, separated by matte offset varnish.

    In this case, part of the circulation is released in VIP-version: Gift box, two lass, silvering cutting from three sides, special forced paper, etc.

    Information sponsors in the evening: "Literary Gazeta", Journal "Art for All", Newspaper "Evening Moscow", Gudok newspaper, TV channel "Savior", TRK "Soyuz"

    Technical support: Museum named after A.N. Skryabina

Prayer - Who is the author of modern prayers?

Everyone knows that there are architects that design new temples, icon painters, writing icons, and masters who pour bells. At the same time, people who make up new prayers and church services, they say very rarely. And it is not by chance.

About new prayers and liturgical followers say very rarely. If we are talking about them, then the discussion is like a well-known scene of the Bulgakovsky "Theater Roman":

"- Leonty Sergeevich himself composed a play!

What for? - Anxiously asked Nastasya Ivanovna.

Didn't the plays become? - Nastasya Ivanovna affectionately asked. - What good plays are. And how many of them.

Leonty Leontievich composed a modern play!

The old woman alarmed.

We are against the authorities not Buntay, "she said."

And indeed why new services are needed if the texts of existing services are reduced in parish practice. One and a half years liturgy and two-hour vigil vigil have long been the norm. If you do not cut down, no one will have time to work. When in 1912 in the Kiev spiritual academy, the "ideal all-sleeping" was served - strictly according to the charter without skips and abbreviations, she lasted about eight hours. And then someone else writes some new texts.

In fact, everything is not so simple here. Each era speaks his own, only in its peculiar language. And the richest legacy of the goat of Mayumsky, Andrei Cretoch, John Damascus, the Blessed Cassia and other great church songs do not deprive our contemporaries of the right to draw up new liturgical texts, reflecting not only an ancient tradition, but also the vision of the man of the beginning of the XXI century. In addition, new realities appear in our life, the sanctification of which requires the preparation of new texts. Back in the 50s of the twentieth century, Saint Athanasius (Sakharov) was a prayer "On the air to travel," because of antiquity, the perspective of traveling by the plane did not provide. Compilation of new services is stimulated by new canonization. After all, the party to the face of the saints implies the preparation of lives, writing the icons and drawing up the service.

There is an opinion that great gymnographers lived in the distant past, and today only epigal imitations are possible. This belief does not create a favorable climate for creativity. The development of liturgical poetry is not realized as a literary process. Critics, reflect on how this literary genre should develop, does not exist in nature. Although attempts to change this situation are undertaken. On the Internet, for example, there is a LiveJournal "Student", where a meeting is posted a meeting of the most diverse, including unpublished, liturgical texts. And since 2009, the Conferences "Modern Orthodox Gymnography" are held, the purpose of which is to combine the creators, editors and researchers of liturgical texts.

In connection with the new services, the question of which their compilers should be focused on which language of the language. In disputes about the language of modern worship, the idea was expressed that already existing liturgical texts should be kept as they are, but new can be written in Russian. Indeed when creating new tradition And chanting the modern experience of holiness to use modern tongue seemingly naturally. New Russian texts not translated from the Church Slavonic will not impress the deliberate simplification and stylistic decline, which is inevitable when translating. However, more or less serious experiments of the compilation in Russian new services were not.

Something strange, in the new supply services, complex archaic structures are often found, which were actively used during the times of Cyril and Methodius, but later gradually came out of use and were replaced by simpler and understandable. Such an archaicization is explained by the fact that among the compilers and editors of new services a lot of philologists who studied the Students who studied the Old Slavonic language and are now trying to insert into liturgical texts those grammatical structures on which they once cut off on exams.

However, most of the texts are written on a simplified version of the Church Slavonic language - as church services wrote in the XVIII-XIX centuries. Here are strictly withstanding grammatical rules, but the order of words is close to adopted in Russian, there are no low-faceted archaisms and words causing difficulties from our contemporary.

Most of the modern church services is devoted to the saints who lived in the 20th century, that is, almost our contemporaries. This allows authors to include in the liturgical texts of reference to the events of a very recent past, and even quotes from historical documents. So, for example, in the poehimari Patriarch Tikhon, passages from the messages of the saint are actively used. We give only one example: "I appeal to you, archpastrics and shepherds, - Delica Esi Saint Tikhon, our Patriarch. - My Sons and Divorce in Christ, hurry with the preaching of repentance, antistake the enemy of the church by the power of faith of our friend. We call you for suffering with my own words of the Union of the Apostle: who will separate from LUVE God. " This poem is composed of the fragments of the two patriarchals of 1918 - Messages on the anathematization of creating lawlessness and persecutors of faith and the Church of Orthodox ("I call for all of you, the Archpastics, Shepherds, My Sons and Divine on Christ: Hurry up with a preaching of repentance, with a call to stop the fratricide Razd and destruction, with a call to the world, silence, to work, love and unity ") and the Patriarchal Messages about the Brest World (" Become on the defense of the insulted and oppressable Holy Mother of our Mother ... ").

Services are written far from all holy, canonized in recent decades. Therefore, for the time being, they serve as a common world, that is, universal services of the martyr, the confessor, etc. Understanding these texts to glorify the saints of the new time is obvious. The situation of persecution of the first centuries of Christianity is too much different from what happened during the time of Bolshevit Persecution. That is why new shared services were written for martyrs and confessors of the 20th century. If the pre-revolutionary total mine is containing services for holiness (reverend, martyr, Christ for the sake of oborudy, etc.), which are needed as common as possible, then in the new general services it is possible to a certain time, which brings the text to time (the first three quarters of the XX century ) And the place (Bolshevik Russia).

The authors of new texts have to give the names of the realities in Church Slavonic language, which in services written earlier did not meet. For example, it is well known that placing closed temples very often used as clubs. And in church services it is said that "the madness of the gogle workers ... Temples of God in the firm and shameful places are pleased." By the way, not only the creators of services are faced with the need to find images, but also icon painters. On the icon "Cathedral of new martyrs and confessors of the Russian" we see the tormentors, whose heads are decorated with boutons, in their hands they hold rifles with bayonets and pistols.

Whether this revival of liturgical poetry will occur, does she take his place among other genres of verbal creativity? Will the number of connoisseurs of Russian gymnography increase? Now it is impossible to answer this question. But it can be remembered that in the middle of the XIX century, they looked at the icon painters as the epigal artisans, and already in the 20th century it was possible to talk about the noticeable development of the language of the icon. I would like the XXI century to become a century of a new opening of Orthodox gymnography.

Prayer as a poetic genre

Is the poetic prayer for combining two over activities: poetic and religious? If it is, it comes out, in his prayer the poet acts as it were in two roles at the same time: the role of the poet as such and as a believer. Accordingly, his prayer is at the same time appeal to God, and the poetic genre. Who at this moment does the poet feel more: the artist, the creator or humble slave of God? Combining these two roles, does the poet make great blasphemy? After all, poetry and prayer are things, hardly compatible.

What is prayer? Prayer is our appeal to the Lord, talking to him. Rev. John The levering is considering prayer as a way of avoiding the demonic temptation. The demons, pursuing a monk, distracting his mind on a bad thoughts, retreat before the hot horsepower prayer: "But who in the sense of heart thinks that he will have to God, he will be in prayer, like a stationary pillar, and nothing of those who have said will not be deemed."

Prayer helps to avoid demons. The poetry itself is a demon, the name of which is the element. Poetry is the element of the elements, Chara. No wonder the word art has the root of "art". "Art - writes M. Tsvetaeva, - art, maybe the very last, the thinnest temptation of the earth ... The third kingdom with its own laws, from which we are so rarely saving to higher (and how often - in the lower!), The third kingdom, the first Earth sky, second land. Between the heaven of the Spirit and the hell of the genus Art purgatory, from which no one wants to be paradise. " Prayuring only this and wants, only about it asks, I don't need a poet.

Prayer is a tireless work. "It is necessary to work in prayer tireless, jealously, hardly, let's get to achieve, as promised land, burning spirit with sober attention to God" (Pre-Secretary Bishop of Feofan, Svyneshsky's rejection). The believer needs sober attention and the intelligence of words of prayer. The poet is inxicated by the elements. The state of creativity is the state of puff. "Something, someone puts up in you, your hand performer is not you, but Togo. Who is he? What through you wants to be. (M. Tsvetaeva)

What is the purpose of prayer? To join God and achieve readiness and ability to fulfill his will. What is the purpose of poetry? "The only goal of the work of art during its accomplishment is the completion of it, and not even in general, but each individual particle, of each molecule. Even it itself, as an integer, retreats before carrying out this molecule, or rather: each molecule is this whole, the goal is everywhere throughout it, and it is as an entire entire - in itself "(M. Tsvetaeva). Praying thinks about the result (cleansing, admission to the Lord), the poet does not think about the result, as it is absorbed by the actual process of creativity. Hence the consequences: Goethe, without thinking about the result, creates his "verter", reader, reading the "Verter", is shifted. What a strongest contrast: prayer revealed, enlightens, cleans; Poetry does not just dedicate (both the poet himself, and readers, they are also under the rule of the spell), but also to destroy it (Chara did not let go - destroyed). Pretty conscience and moral will need a prayer, poetry is incompatible with moral law. "Artistic creativity ... - the necessary atrophy of conscience, the moral flaw, without which he, art, not be. To be good (not to introduce into the temptation small), art would have to abandon the good half of yourself. The only way to be obviously good - not to be "(M. Tsvetaeva). Poets are similar to playing children. If you come to this game with your human (moral) and human (public) laws, the game will break, otherwise the game will die. "By bringing the conscience of your own - embarrass our (creative). So do not play "(M. Tsvetaeva).

So, poetry is a special third kingdom, managed by its laws, and these laws are directly opposite to the laws of prayer. Why are the inhabitants of the Third Kingdom encroach on the lot of future celers? Why do they write their prayers? Maybe the prayer of the poet is the awakening from the spell? Owning sometimes retreats, and the wreeding poet begins to pursue conscience: Caught, Did you do the sacred business, is your poetry mortal sin? Gone to admonish conscience, the poet penetrates the feeling of guilt for the deed. And then in despair appeals to the Lord: remove me from the temptation, we take me this sinful gift in the name of my salvation. As if I find this thought in confirmation of this thought: "... the poet there can be only one prayer: the misunderstanding of unacceptable: I don't understand, I will not deprive, the only prayer of the poet - about the inadvision of the votes: I will not hear and I will not answer. For hear - already answered, but to answer - already approve, at least the passion of his denial. The only prayer of the poet is a prayer for deafness. "

Another confirmation - "Prayer" Lermontov:

And do not karai me, pray,

With her passions, I love;

Live speeches of your jet

My mind is far from you;

For lava inspiration

Bubbles on my chest ...

Preform me a heart into a stone

Stop hungry eyes;

From terrible thirst for song

Let, creator, freed

Then on the close way of salvation

I'll turn to you again.

Pasta, insomnia, heat,

By the child and a friend,

And mysterious song gift -

So pray for your liturgy

After so many troubling days

To cloud over dark Russia

Became a cloud in glory rays.

It happens fear for life, yes such a great fear that from three lines is a grave cold. This is "Prayer" Mandelstam:

I'm afraid of life: for my servant ...

In St. Petersburg, live - as if to sleep in the coffin.

For a believer prayer there is a sacral, mystical act, through which he can even at least to approach the perfect God. For the poet prayer - direct dialogue with God. Not on equal, of course, but the poet considers himself quite worthy of such communication. The poet even sometimes dares not to call his interlocutor by name (all the same prayer of Akhmatova or Prayer of Voznesensky from Karara Carthage - the name of the Lord is never mentioned).

The prayer of the believer certainly has humility, born by fear of God. "For the fear of God is in itself comprehended by a reverent thought and perception of the endless God's perfection and actions" (Having used the Bishop of Feofan, the rejupping of Otchensky).

Prayer Poet - Buntar Prayer. He is questioned immutable for any believer truth.

How good in Christian begins rings his "prayer":

As a flame prayer.

What will my hearing be replaced?

Tears of my sinning

- What I immorted a dubious paradise.

But there is one quality relating to the prayer of the believer and the prayer of the poet. This is infinite sincerity, sincerity at the level of revelation. It is thanks to this quality, any prayer (and religious, and poetic) has a huge power of influence. It is this quality that makes the prayers of large poets masterpieces and gives the prayers of the poets of less giving a greater expressive force.

Certificate of Publication No. 103073100427

Name the author of Prayer

The most amazing property of the lyrical work is to penetrate the reader's soul, awaken in it a variety of strong, deep feelings. One of these feelings is the feeling of God's existence, hope for him.

In the process of studying poetic works in high school, it is customary to allocate such types of lyrics as landscape, love, philosophical and completely bypass, not to notice the prayer lyrics, which reflects the spiritual life of its authors. The experience of spiritual life imprinted in verses, today's readers, "Tommy Spiritual Sigge" and seeking self-knowledge and spiritual improvement.

Almost every Russian poet, with a rare exception, there are prayer poems that can be called pearls of spiritual poetry, because it is they who have a lively power to heal the human souls exhausted by everyday adversity.

The piety is a distinctive feature of the Russian man of past centuries. This is evidenced by folk proverbs:

  • Without God, nor before the threshold.
  • We will not disappear anywhere.
  • Do not hurry - I first called God.

Through the prayer, a person connected with God, strengthened with the Spirit, and it was easier for him to overcome those who fell on his share of adversity and difficulties. The following proverbs are talking about the constant appeal of our ancestors through prayer to God:

In seven decades of militant atheism failed to kill the memory of prayer in the Russian people. It is preserved in the language in the speech etiquette. For example, a polite person gratitude expresses thank you, absolutely not aware that this is the shortest leaking prayer for the neighbor who committed good training. If you appeal to these words, you can find out that thank you Formed by merging two words: save, God. To the question "How are things going?" Until now, you can hear: " Thank God" - What means: everything goes well, nothing bad in life happened. And, on the contrary, when it comes to any misfortune, expressions are used: "God forbid", "Do not bring, Lord".

Prayer is a conversation of a man with God. They are different: laudatory and thankful, leaking and repentable, addressed to the Savior (Jesus Christ), God's Mother, Guardian angel, holy ash builders.

The first deep poetic and religious experiences A.S. Pushkin were associated with Grandma Maria Alekseevna Hannibal. At the time of infancy, he called her "Mamushka" and was very tied to her. This is described in the poem "Sleep", written in a lyceum in 1816.

  • . Children love memories.

Oh! Silently about my Mamushka,

About the charms of mysterious nights

When in Chepes, in the old apparel,

She, spirits prayer bias

With diligence crosses me

And in a whisper to tell me will

About dead, bovy exploits.

From horror, do not flourish, it happened,

Barely breathe, squeezing under the blanket,

In the image of a simple bed of clay

Slightly illuminated deep wrinkles,

Drague Antik, Prababookushcin Cepec

Sleep tomorrow on the eyes dropped.

So, in the memory of the young man, Pushkin remained a zealous evening prayer of grandmother, the godfather, with which she autumn him in the crib in front of bedtime, icon with a lamp laccked in front of it. During the years of youth, the poet will experience a painful state of challenge, but in mature years he will gain in his soul his God. This was facilitated by the Mikhailov link. There, away from secular entertainment, he had a deeper time to look into his senses, in the soul of the Russian people, to engage in self-education and think about self-improvement.

For the first time, entering the living, direct communication with the Church through the brethren of the Svyatogorsk Monastery and the surrounding clergy, observing the close moral connection of the people with the monastery, reading Karamzin and the ancient chronicles, Pushkin begins to realize the great spiritual influence that the church provided the Church into the Russian people. In depth and carefully reads at this time the lives of the saints, the gospel, which is deeply included in his soul. "The book of this is called the Gospel, - writes A.S. Pushkin, - and her forever new lovely, that if we, beyond the world or depressed by the despondency, will accidentally open it, it is no longer able to resist her sweet hobbies and immerse the spirit in her Divine eloquence. "

True poetry he sees now in the Gospel and Prayer. A.S. Pushkin has a poetic arrangement of the most important prayer of Christians - "Our Father". Another name is the "Lord of Prayer", as it is given as a sample by Jesus Christ with his students. This is how it sounds:

Our father, izh, at Heaven! Yes, your name will hurt, and your kingdom will take away, and will be your will, IKo in the sky and on the earth. Bread our urgent grandfather to us; And we leave us our debts, and we leave our debtor to our; And do not enter us in temptation, but you save us from Lucavago.

But the poem A.S. Pushkin:

Yes, your name is yours

Will holy by our hearts!

Yes, your kingdom will come

Your will be willing with us

As in heaven, so on the earth!

Urgent bread we sent us

Your generous hando

And as we forgive people,

So we, insignificant before you

Sorry, father, his children;

Do not plunge us in temptation

And from evil major

As accurate by A.S. Pushkin in the transfer of words of prayer! In the poem "Fathers, wildlife and wives are immaculate", the poet admits that his favorite prayer is a great, readable during the Great Post:

Lord and Vladyko's belly of my, the spirit of idleness, despondency, lyrics and celebrations are not gone. The spirit of the chastity, humble, patience and lubva give you to Darui Mi, to your slave. She, Lord, King, Darui Mi Dari, and not condemn my brother, Yako blessed Esi forever. Amen.

This prayer was written in the IV century by Rev. Efrem Syrin. From such deep centuries, she reached us due to the fact that from year to year was repeated in church serving. She inspired A.S. Pushkin on one of his best poems.

  • Fathers Hoods and wives are immaculate,

So that the heart is at the region of absentia,

To strengthen it, the medium of luxury storms and battles,

Many Divine Prayers folded.

  • But none of them fails me,

    As the one priest repeats

    During the days of the sad great post;

    All more often it comes to mouth

  • And the fallen fastening unknown force:

    Vladyko for my days! The spirit of idleness is sad

    Lovely, snakes hidden this

    And the celebrations do not give my soul.

  • But let me be angry with my, oh god, more precise,

    Yes my brother from me will not accept convicts,

    And spirit of humility, patience, love

    And the chastity in my heart is expelled.

The author of the poet of prayers lived in Syria and was one of the deserters, which A.S. Pushkin speaks in the first line of the poem. Maybe the poet felt the similarity between his fate and his. The basis of such an assumption is the poem of A.S. Pushkin "Memory", written in 1828.

  • . In idle of the night, live in me

Candy snake cats;

Dreams boil; in the mind, depressed melancholy,

Clean the heavy dum of excess;

Memories are silent to me

Its long develops a scroll;

And with disgust reading my life,

I am tremble and curse,

And I complain bitterly, and bitter tears Lew,

But the rows are sad do not wash off.

A.S. Pushkin. Memories. Reads Vyacheslav Tikhonov

In this poem, the moral flour of a person suffering from perfect sins was expressed. In the lyrical hero of "memories" we will learn by A.S. Pushkin. Repentance is main topic Preaching and teachings of St. Ephraim Sirin, whose youth, like A.S. Pushkin, was stormy. "In the younger years I was aggravated, - recalled my saint, - beat, quarreled others, I was revenned with the neighbors, he wondered, strangely was inhabitant, with friends cruel, with poor rustic, for universal things included in a quarrel, turned out to be disgraced Slim conceses and prodigal thoughts. " But later he repented and changed his life. As well as the hero of the Pushkin poem, at night he often cried about his sins.

Returning to the poem A.S. Pushkin "Fathers of the Dressmen and Wives are immaculate." It consists of two parts: the first part is the reasoning about prayer, the second is the prayer itself. Should be explained in the second line of the phrase "In the region correspondence". Absentia (regions) - those that are not visible to our eyesight; These are areas of spiritual, approaching a person to God.

The lyrical hero of the poem A.S. Pushkin admits that he is familiar with many prayers that strengthen it among everyday difficulties, "Importance of luxury storms and battles", but my heart is a great prayer, which "It is most often comes to the mouth and the fallen attitude of the unknown force". Why does the lyrical hero feel this prayer? Maybe it is mentioned in it, those sins from which he would wish to get rid of? Extraction - wasted spent time, chief - contentment by the position of the head, the fellowship is a sin associated with in vainly spoken words.

What is asking God the hero of the poem? Aid to see your own sins, humility, patience, love, chastity. Patience, humility, love and chastity are Christian virtues, without which there can be no spiritual growth. Patience is connected with humility, humility - with love and chastity. Love is a special, reverent feeling for God, neighbor. Apostle Paul wrote that "Love long-patio, merciful, love does not envy, not looking for his own, not annoying, does not think evil, covers everything believes, everything hopes, everything transfers" .

Chastity - wisdom is not a book, but from God, such a wisdom, which man was endowed initially, but because of the sin, he lost it.

The poem "Fathers Dressing and Wife is immaculate", written in 1836, reflects the spiritual state of the poet. It is evidence that for A.S. Pushkin, Christian ideals became moral guidance. The words of a deadly wounded on the duel of the poet P.A. Izzemsky come to the duel: "I demand that you do not take revenge on my death; I forgive him and want to die a Christian". Before the death of A.S. Pushkin confessed in his sins, he was involved, blessed his children, crossing everyone.

Everyone is well known a poem M.Yu.Lermontova "Prayer", which was written in 1838 in the 24th anniversary.

Persay in heart sadness:

One prayer is wonderful

I am very angry.

There is a power of grace

In the consonant words of living,

And breathes incomprehensible

Holy Charm in them.

From the soul as a burden rolling,

And believe and crying

"In the minute of life difficult." Music - P.Bulakhov. Performed by Yuri Gorbunov, soloist of the Chelyabinsk Opera and Ballet Theater. Glinka. Cinema Concert "Russian Romance", Chelyabinsk Television, 1969

How much sincerity in his lines! Before us is unrecognizable M.Yu.Lermontov, who shares the experience of spiritual life. What does the phrase mean "spiritual life" mean? This is a life associated with the aspirations of a person to be with God. And how can a person be with God? Through prayer. And the poet told us about prayer and its miraculous strength. In the lyrical hero of this poem, its author is easily recognized. It seems clearly the reason for the appeal to prayer: vital difficulties. The poet had a lot: early lost her mother, his grandmother was separated from his father, he experienced strong unrequited love. All his life he feels lonely.

Loneliness is one of the main motives of Lyrics M.Yu.Lermontov. The sense of loneliness is very painful. It causes longing, sadness. To get rid of spiritual flour, the poet appeals to God with a prayer. In the poem "Prayer", three semantic parts can be distinguished, each of which corresponds to the storm. What are these stanza? The first stanza transmits the state of the soul of the lyrical hero, towards the "minute of life difficult" to God with a prayer. The Lermontov Hero admits: "the prayer is wonderful to me by heart." Verb strip It suggests that prayer is spiritual work, since the lexical and species value of this verb is a multiple repetition of the same action. In the second stanza, a huge, incomprehensible human reason the power of prayer is shown. She is "gracious", the words in it "live". And in the third stubborn, the lyrical hero told us about the great miracle as a response to the sincere prayer: there is no doubt, the lost faith has gained again, so the joy is "crying" and on the soul "easily, easily."

A small poem by M.Yu.Lermontova transfers the state of the soul repeatedly experienced by the lyrical hero: severe and easy. From the first state helps to get rid of a simple, affordable means - prayer, "the gracious" strength of which he treats the sick soul, resurrecting it to life, no matter how difficult it is. Do we know what prayer tells the Lermontov Hero? Not. The poet is silent about it. Why? Probably, it does not matter what prayer is, but it is important how it is pronounced. Any prayer can become "wonderful", "fertile", if it comes from a pure heart and with deep faith.

In an analyzed poem, the great strength of prayer is said. But M.Yu.Lermontova has both poems-prayers. One such "prayer" is written by the poet at 15 years:

  • Do not blame me, omnipotent,

And do not karai me, pray,

For the fact that the darkness of the earth grave

With her passions, I love;

For rarely in the soul comes

Live speeches of your jet;

For the fact that in the delusion wanders

My mind is far from you;

For lava inspiration

Bubbles from my chest;

For the fact that wildworkers

The glass is gloaching.

From terrible thirst for song

Let, creator, freed

Then on the close way of salvation

I'll turn to you again.

What is the poem of a very young poet? About sins in which the lyrical hero is recognized to God. What a consciousness! The hero speaks of his passions. And passion, in a Christian understanding, is the highest degree of sin. The main passion that gives him from God, from the "close way of salvation" is poetry. For him, she is "a wonderful flame, all-looking fire." He is in power of the flame of this fire and can not be free from her. The final lines of the poem indicate that it is written as a heart response to the Nagorno sermon. About the rollback of the 4th lines of poem with a Nagorno sermon says epithet close . In the Nagorno sermons we read: "Come in close gates; Because the widespread gates and the path, leading to the destruction, and many go them; because the rustles and narrow are the path leading, and few find them."

But the poem of "prayer", dedicated to M.A. Hallophina:

  • I, Mother of God, now with a prayer

In priority, bright shine,

Not about salvation, not before the battle,

Not with gratitude to Ile repentance,

  • Not for your praying soul deserted

    For the soul of the wanderer in the light of faded. -

    But I want to hand a virgin girl

    The warm intercession of the world is cold.

The poem consists of two parts. In the first lyrical hero, it gives an assessment of modern reality. The world in which he lives is marked with the epithet "cold", corresponding to the expression of the fathers of the church: "The world in evil lies." All hope of the lyrical hero is only on the Mother of God, the "warm intercession", which he assumes his prayer. Only she wants to give the "Nevinnoye's" virgin ", as he believes" a wanderer in the light of faded "with the" soul of the desert ". The second part of the poem is a leaking prayer for the near, the attitude of the Mother of God. She is full of self-denial and love. Love disinterested, tremble and hope for the maternal concept, which will protect the "soul worthy", "soul is beautiful."

IN last year His life, shortly before death, M.Yu.Lermontov wrote another poem similar to prayer. It is called "thanks."

  • For everything, I thank you for all you:

For secret torments of passion

For bitterness tears, poison kiss,

For the revenge of enemies and slander friends;

For the heat of the soul, squandered in the desert,

For everything I deceived in life was.

Code only so that you are now

For a short time I am still thanked.

This poem reflects the spiritual crisis of the poet. It is permeated by eating irony, bitterness, lack of desire to live. The lyric hero goes towards his death. The last two lines are the challenge to God. He sees the cause of his misfortune only in the environment, and he does not buy anything. Each phrase feels immense pride, not allowing to see their drawbacks. In prayer, they do not even mention the one to whom it is facing. We only guess that the hero M.Yu.Lermontov "thanks" of his creator.

Refusing God, a person falls under the influence of the dark, the demonic forces, who wanted to man only dating. Why did the poet in the hardest minute of life again not refer to that "wonderful" prayer whose sweetness did he ever experienced?

Optina Older Warzonofius spoke to his spiritual children about the insufficiency of prayer experience M.Yu.Lermontov. Prayer did not save him, because he was waiting for only enthusiasm and did not want to suffer the labor of prayer. Poet A.S. Cheyakov believed that prayer was a feat.

There is a feat and in the struggle;

The highest feat in the patience,

This senior feat was performed and committing monks.

They prayed and pray not only about their own salvation, but also about the salvation of their fatherland, all Orthodox Christians.

Prayer poems in the works of A.S. Pushkin and M.Yu.lermontov indicate that poets are carriers of Orthodox culture and faith. The prayer lyrics is confession by exhausted by everyday adversity of the human soul, seeking spiritual improvement. The spiritual growth of man, according to A.S. Pushkin and M.Yu.lermontov, is possible only with God's help, which is carried out through prayer. To create prayer - it means to perform the highest feat.

1. Bible, New Testament, MF. 7; 13; 14. - M.: International Publishing Center for Orthodox Literature, 1994. - 1018 p.

2. Dunaev M. M. Orthodoxy and Russian literature: studies. Manual for students of spiritual academies and seminary. - M.: Christian literature, 1996. - P. 190-200.

3. Ivanova S. F. Introduction to the Temple of the Word. - M.: School Press, 1994. - 271 p.

4. Lermontov M. Yu. Works. - M.: True, 1986. - T. 1. - 719 p.

5. Pushkin A. S. Works. - M.: Fiction, 1985. - T. 1. - 735 p.

A detailed description of several sources: "Author of words and music of prayer" - in our non-commercial weekly religious journal.

No merit, nor for achievements, nor for talent.

Remember! After all, they also do not choose their parents!

Simply. Love them! After all, they need it.

What other people's roads

Is your heart on the snow?

I will help you with prayer.

So sad shiny star

Over the distant, alien side

Over your and my destiny.

I would be a star,

The one that is above you.

Fragile hope in the soul storing.

And my not expressed guilt.

Among the streets, houses and roofs

Unwanted, slightly breathing

My soul drank.

So stubbornly told mouth.

Everything will pass, and spring sometimes

I would be a star,

The one that is above you.

See that you are near, and that alive.

Rejoice b together the birth of the day

Fragile hope in the soul storing.

It rushes first, losing blood.

We will leave our war from you

And my unspoken guilt.

What other people's roads

Is your heart on the snow?

I will help you with prayer.

Number of reviews: 6

Number of messages: 13

© 05/28/2013 Love Nesterova

Ratings: Excellent 9 , interesting 0 , not interested 0

Excellent performance, Lyuba!

How it was swielding once.

Loya, just a heart - in half.

Execution and poems penetrated!

I agree with all your comments!

Only it is not so easy. More often all thoughts thoughts.

After childhood with youth passed.

This song was very cool performed by Lyudmila Gurchenko.

There will be a desire, get rid of tyrnet. Listen. YOU WILL NOT REGRET. LN

You see when you get soul. When you live a song with your heart

when you see in a song, not just words, and before you swims the plot.

Like, watch the movie and you are in the lead role.

That's right, and only then the song will sound! :)))) And it doesn't matter what your voice is.

Believe me.

In the example, Mark Bernes did not possess a unique voice. But how he sang. He lived in a song.

Thank you for such a high grade in my address.

Loop, what wise lines you recorded in the preface !!

Now I'm trying to catch up.

But we want our children better than us.

And not only us, but in general the best.

So it turns out that we demand, sometimes, from children, impossible.

words of Lyudmila Gurchenko - Prayer, lyrics Lyudmila Gurchenko - Prayer

our group in contact!

words of Lyudmila Gurchenko - Prayer

Music: Dorovo A. Poems: Dorovo A.

What other people's roads

Is your heart on the snow?

I will help you with prayer.

So sad shiny star

Over the distant, alien side

Over your and my destiny.

I would be a star,

The one that is yours.

See that you are near, and that alive.

Rejoice to the birth of the day

Fragile hope in the soul storing.

If on the battle -

It rushes first, losing blood.

We will leave our war from you

And my unspoken guilt.

Among the streets, houses and roofs

Unwanted, slightly breathing

My soul drank.

So tiredly tidy mouth.

Everything will pass, and spring sometimes

You will come back, my son, my hero.

Like song? Click "I like" or "Like" 🙂

Artist's news:

Lyudmila Gurchenko: Lyudmila Markovna Gurchenko - Soviet Russian actress theater and cinema, pop singer. People's Artist of the USSR (1983). Winner of the State Prize of the RSFSR them. Brothers Vasiliev (1976) and State Prize of the Russian Federation (1994).

Dmitry Pevtsov and group Kartush - "Prayer" Author Ruslan Silin

Dmitry Pevtsov lyrics and group Kartush - Prayer author Ruslan Silin

In the record participated

Dmitry Pevtsov, Victoria Chenetsova, Boris Golik, Anna Komarova, Alessdra Vodel, Daniel Vtytyuk, Victor Boltovsky, Alexey Zlenko, Oleg Sakmarov

Lyudmila Gurchenko - Prayer Lyrics

What other people's roads

Is your heart on the snow?

I will help you with prayer.

So sad shiny star

Over the distant, alien side

Over your and my destiny.

The one that is above you.

See that you are near, and that alive.

Rejoice b together the birth of the day

Fragile hope in the soul storing.

It rushes first, losing blood.

We will leave our war from you

And my unspoken guilt.

Among the streets, houses and roofs

Unwanted, slightly breathing

My soul drank.

So stubbornly told mouth.

Everything will pass, and spring sometimes

You will come back, my son, my hero

The one that is above you.

See that you are near, and that alive.

Rejoice b together the birth of the day

Fragile hope in the soul storing.

It rushes first, losing blood.

We will leave our war from you

And my unspoken guilt.

The one that is above you.

See that you are near, and that alive.

Rejoice b together the birth of the day

Fragile hope in the soul storing.

It rushes first, losing blood.

We will leave our war from you

And my unspoken guilt.

What other people's roads

Is your heart on the snow?

I will help you with prayer.

Brilliant performance! It is better to sing it is impossible! Everlasting memory! The text of the song "Prayer" Words and Music A. Dorovskiy Ah, my son,.

  • Lyudmila Gurchenko - Clip for the song "Prayer"

    Lyudmila Gurchenko - a clip for the song "Prayer". Webmedia888. Brilliant Lyudmila Markovna, kingdoms to you.

  • Lyudmila Gurchenko - Prayer. The light memory ..

    Unforgettable .. There was a hand from us on March 30, 2011 .. there is no two years as it is not .. only the memory and these videos remained .. my favorite song.

  • Rights to the lyrics, translations belong to their authors. All texts and translations are provided for reference.

    The author of words and music prayer

    Music: Yael Deselbaum

    Words: Yael Deselbaum, Lubna Salama, Misa Dau, Miriam Touc.

    Russian text: Olga Kuminova

    And underwear on the ropes

    In the shadow of the wall I swollen.

    Silence is like a forest.

    But someone is terrible

    Dreams in which there is no war.

    And the house is native to find -

    I will come out to the door open

    And let the kindness to yourself.

    Again mom will collect

    Child to school as usual -

    And everything goes war.

    And the house is native to find -

    I will come out to the doors open,

    To meet kindness.

    Conquering countries of light

    Hugs a whole world

    Give us the world! Give us the world!

    Publication date: 04/04/2017

    All rights reserved. Copying site materials is prohibited.

    The site administration does not accomplish the permission for the content of advertisements.

    Amazing history of the song "Prayer" Bulat Okudzhava

    and for a long time it was believed that this is a free translation of Bulat Okudzhava poem of this medieval French poet. However, Bulat Shalvovich subsequently recognized that the lyrics had nothing to do with Wiyon. The fact is that the poem of "prayer" did not take it to print in Soviet times on ideological reasons, then Bulat Shalvovich came up with a new name, and to print. The music was invented later, poems were printed at first.

    B. Okudzhava: "This song does not have anything to do with Francois Wiyon. I wrote poems about myself, about my life. But in the editorial office did not want to print it, and I called them" Prayer Francois Viyon ". But it was a long time ago, now already do not do that. "

    The story came out extremely confusing :)) Many still believe that Okudzhava translated Viyon, and do not believe the recognition B.Sh. But I was looking for in French sources and did not find such a poem. There are a similar name "Ballad with the Prayer of Our Lady" Balde Pour Prier Notre DameAnd her words are not similar to the "prayer" of Okudzhava.

    The genius of this story in the amazing persuasiveness of the legend about the translation. This is a perfect hit, free or involuntary stylization under Francois Wiyon (and especially those who loved all translations of Ehrenburg).

    And, perhaps, I will still leave the label "Songs on Viyon Poems" 🙂

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    Nargiz performs the song Lyudmila Gurchenko "Prayer" so that shuddering on the body runs ...

    Great, even, not afraid of this word, legendary song "Prayer" It was written back in 1996 to words and music A. Dorovo. Executed Lyudmila Markovna GurchenkoThe composition has become an unofficial anthem of all mothers whose sons fought in Chechnya and Afghanistan.

    Only in 2004, the song entered the album "Life as smoke." At that time, few people heard about her, because she was not allowed to ether. And only in 2005, after the appearance of a prayer clip on the screens, the director of whom Fedor Bondarchuk spoke, the song was recognized by broad masses.

    After the death of Lyudmi Markovna, experts recognized that the song "Prayer" became the best in the actress repertoire. Now it is performed by many artists at concerts, but no one, alas, does not reach the level of Gurchenko.

    I suggest you to listen to "prayer" performed Nargiz Zakirova, finalist of the third season of the "Voice" project. These words are pierced to trembling ...

    Husband Gurchenko says she died, listening to her songs. Perhaps this is the greatest grace of God and gratitude over: to leave, realizing that you lived life not in vain. After all, the memory of the Great Actress and the singer will still live in her masterpiece films and songs.

    Did you like the performance of Nargiz? Or do you think that this song is worth singing only Lyudmila Markovna? Share your thoughts on this.

    Author of the article - Daria Ivanovich

    Holy believes that justice will ever enthusiastic, and the rollers will save the world. Her morning has long been not starting with coffee, but from watching a video on YouTube. The selfless editor is ready to post allocate a hundred, and now and two hundred percent in search of interesting materials. So that the reader does not fall asleep to watching the roller, over each of his articles of Daria works like a chef over a corona dish.

    Christian notes

    Thousands of stars, for you ignite, Lord,

    Thousands of words for you as prayer sounds,

    In the temple, our Lord's heart come to life

    In the temple of the soul, the faith of the Most High look faith, believe! I believe! I believe!

    People are given eternal hope one

    Believe, believe! I believe! I believe!

    Generous hand of Most High

    We faith are given we appeal to a clear sky with prayers,

    We ask God again releasing sins,

    To end forever with hostility and battles,

    So that this world was from love songs and poems

    Your word is the righteous truth of the placer,

    Light your face illuminates sunrise and sunset,

    Thousands of stars are lit by Lord,

    Thousands of words like prayer earthly sound.

    *** In the example and phonogram1, transitions to 6/8 in the sale are ignored, i.e. The whole coupler goes on 9/8,

    and the chorus on 6/8 (the size of the population is not on notes) phonogram2 - on notes

    Prayer - Who is the author of modern prayers?

    Prayer - Who is the author of modern prayers?

    Everyone knows that there are architects that design new temples, icon painters, writing icons, and masters who pour bells. At the same time, people who make up new prayers and church services, they say very rarely. And it is not by chance.

    About new prayers and liturgical followers say very rarely. If we are talking about them, then the discussion is like a well-known scene of the Bulgakovsky "Theater Roman":

    "- Leonty Sergeevich himself composed a play!

    What for? - Anxiously asked Nastasya Ivanovna.

    Didn't the plays become? - Nastasya Ivanovna affectionately asked. - What good plays are. And how many of them.

    Leonty Leontievich composed a modern play!

    The old woman alarmed.

    We are against the authorities not Buntay, "she said."

    And indeed why new services are needed if the texts of existing services are reduced in parish practice. One-year-old liturgy and two-hour all-sleeping vigil has long become the norm. If you do not cut down, no one will have time to work. When in 1912 in the Kiev spiritual academy, the "ideal all-sleeping" was served - strictly according to the charter without skips and abbreviations, she lasted about eight hours. And then someone else writes some new texts.

    In fact, everything is not so simple here. Each era speaks his own, only in its peculiar language. And the richest legacy of the goat of Mayumsky, Andrei Cretoch, John Damascus, the Blessed Cassia and other great church songs do not deprive our contemporaries of the right to draw up new liturgical texts, reflecting not only an ancient tradition, but also the vision of the man of the beginning of the XXI century. In addition, new realities appear in our life, the sanctification of which requires the preparation of new texts. Back in the 50s of the twentieth century, Saint Athanasius (Sakharov) was a prayer "On the air to travel," because of antiquity, the perspective of traveling by the plane did not provide. Compilation of new services is stimulated by new canonization. After all, the party to the face of the saints implies the preparation of lives, writing the icons and drawing up the service.

    There is an opinion that great gymnographers lived in the distant past, and today only epigal imitations are possible. This belief does not create a favorable climate for creativity. The development of liturgical poetry is not realized as a literary process. Critics, reflect on how this literary genre should develop, does not exist in nature. Although attempts to change this situation are undertaken. On the Internet, for example, there is a LiveJournal "Student", where a meeting is posted a meeting of the most diverse, including unpublished, liturgical texts. And since 2009, the Conferences "Modern Orthodox Gymnography" are held, the purpose of which is to combine the creators, editors and researchers of liturgical texts.

    In connection with the new services, the question of which their compilers should be focused on which language of the language. In disputes about the language of modern worship, the idea was expressed that already existing liturgical texts should be kept as they are, but new can be written in Russian. Indeed, when creating a new tradition and chanting the modern experience of holiness to use modern tongue seemingly naturally. New Russian texts not translated from the Church Slavonic will not impress the deliberate simplification and stylistic decline, which is inevitable when translating. However, more or less serious experiments of the compilation in Russian new services were not.

    Something strange, in the new supply services, complex archaic structures are often found, which were actively used during the times of Cyril and Methodius, but later gradually came out of use and were replaced by simpler and understandable. Such an archaicization is explained by the fact that among the compilers and editors of new services a lot of philologists who studied the Students who studied the Old Slavonic language and are now trying to insert into liturgical texts those grammatical structures on which they once cut off on exams.

    However, most of the texts are written on a simplified version of the Church Slavonic language - as church services wrote in the XVIII-XIX centuries. Here are strictly withstanding grammatical rules, but the order of words is close to adopted in Russian, there are no low-faceted archaisms and words causing difficulties from our contemporary.

    Most of the modern church services is devoted to the saints who lived in the 20th century, that is, almost our contemporaries. This allows authors to include in the liturgical texts of reference to the events of a very recent past, and even quotes from historical documents. So, for example, in the poehimari Patriarch Tikhon, passages from the messages of the saint are actively used. We give only one example: "I appeal to you, archpastrics and shepherds, - Delica Esi Saint Tikhon, our Patriarch. - My Sons and Divorce in Christ, hurry with the preaching of repentance, antistake the enemy of the church by the power of faith of our friend. We call you for suffering with my own words of the Union of the Apostle: who will separate from LUVE God. " This poem is composed of the fragments of the two patriarchals of 1918 - Messages on the anathematization of creating lawlessness and persecutors of faith and the Church of Orthodox ("I call for all of you, the Archpastics, Shepherds, My Sons and Divine on Christ: Hurry up with a preaching of repentance, with a call to stop the fratricide Razd and destruction, with a call to the world, silence, to work, love and unity ") and the Patriarchal Messages about the Brest World (" Become on the defense of the insulted and oppressable Holy Mother of our Mother ... ").

    Services are written far from all holy, canonized in recent decades. Therefore, for the time being, they serve as a common world, that is, universal services of the martyr, the confessor, etc. Understanding these texts to glorify the saints of the new time is obvious. The situation of persecution of the first centuries of Christianity is too much different from what happened during the time of Bolshevit Persecution. That is why new shared services were written for martyrs and confessors of the 20th century. If the pre-revolutionary total mine is containing services for holiness (reverend, martyr, Christ for the sake of oborudy, etc.), which are needed as common as possible, then in the new general services it is possible to a certain time, which brings the text to time (the first three quarters of the XX century ) And the place (Bolshevik Russia).

    The authors of new texts have to give the names of the realities in Church Slavonic language, which in services written earlier did not meet. For example, it is well known that placing closed temples very often used as clubs. And in church services it is said that "the madness of the gogle workers ... Temples of God in the firm and shameful places are pleased." By the way, not only the creators of services are faced with the need to find images, but also icon painters. On the icon "Cathedral of new martyrs and confessors of the Russian" we see the tormentors, whose heads are decorated with boutons, in their hands they hold rifles with bayonets and pistols.

    Whether this revival of liturgical poetry will occur, does she take his place among other genres of verbal creativity? Will the number of connoisseurs of Russian gymnography increase? Now it is impossible to answer this question. But it can be remembered that in the middle of the XIX century, they looked at the icon painters as the epigal artisans, and already in the 20th century it was possible to talk about the noticeable development of the language of the icon. I would like the XXI century to become a century of a new opening of Orthodox gymnography.

    Prayer - Who is the author of modern prayers?

    Everyone knows that there are architects that design new temples, icon painters, writing icons, and masters who pour bells. At the same time, people who make up new prayers and church services, they say very rarely. And it is not by chance.

    About new prayers and liturgical followers say very rarely. If we are talking about them, then the discussion is like a well-known scene of the Bulgakovsky "Theater Roman":

    "- Leonty Sergeevich himself composed a play!

    What for? - Anxiously asked Nastasya Ivanovna.

    Didn't the plays become? - Nastasya Ivanovna affectionately asked. - What good plays are. And how many of them.

    Leonty Leontievich composed a modern play!

    The old woman alarmed.

    We are against the authorities not Buntay, "she said."

    And indeed why new services are needed if the texts of existing services are reduced in parish practice. One-year-old liturgy and two-hour all-sleeping vigil has long become the norm. If you do not cut down, no one will have time to work. When in 1912 in the Kiev spiritual academy, the "ideal all-sleeping" was served - strictly according to the charter without skips and abbreviations, she lasted about eight hours. And then someone else writes some new texts.

    In fact, everything is not so simple here. Each era speaks his own, only in its peculiar language. And the richest legacy of the goat of Mayumsky, Andrei Cretoch, John Damascus, the Blessed Cassia and other great church songs do not deprive our contemporaries of the right to draw up new liturgical texts, reflecting not only an ancient tradition, but also the vision of the man of the beginning of the XXI century. In addition, new realities appear in our life, the sanctification of which requires the preparation of new texts. Back in the 50s of the twentieth century, Saint Athanasius (Sakharov) was a prayer "On the air to travel," because of antiquity, the perspective of traveling by the plane did not provide. Compilation of new services is stimulated by new canonization. After all, the party to the face of the saints implies the preparation of lives, writing the icons and drawing up the service.

    There is an opinion that great gymnographers lived in the distant past, and today only epigal imitations are possible. This belief does not create a favorable climate for creativity. The development of liturgical poetry is not realized as a literary process. Critics, reflect on how this literary genre should develop, does not exist in nature. Although attempts to change this situation are undertaken. On the Internet, for example, there is a LiveJournal "Student", where a meeting is posted a meeting of the most diverse, including unpublished, liturgical texts. And since 2009, the Conferences "Modern Orthodox Gymnography" are held, the purpose of which is to combine the creators, editors and researchers of liturgical texts.

    In connection with the new services, the question of which their compilers should be focused on which language of the language. In disputes about the language of modern worship, the idea was expressed that already existing liturgical texts should be kept as they are, but new can be written in Russian. Indeed, when creating a new tradition and chanting the modern experience of holiness to use modern tongue seemingly naturally. New Russian texts not translated from the Church Slavonic will not impress the deliberate simplification and stylistic decline, which is inevitable when translating. However, more or less serious experiments of the compilation in Russian new services were not.

    Something strange, in the new supply services, complex archaic structures are often found, which were actively used during the times of Cyril and Methodius, but later gradually came out of use and were replaced by simpler and understandable. Such an archaicization is explained by the fact that among the compilers and editors of new services a lot of philologists who studied the Students who studied the Old Slavonic language and are now trying to insert into liturgical texts those grammatical structures on which they once cut off on exams.

    However, most of the texts are written on a simplified version of the Church Slavonic language - as church services wrote in the XVIII-XIX centuries. Here are strictly withstanding grammatical rules, but the order of words is close to adopted in Russian, there are no low-faceted archaisms and words causing difficulties from our contemporary.

    Most of the modern church services is devoted to the saints who lived in the 20th century, that is, almost our contemporaries. This allows authors to include in the liturgical texts of reference to the events of a very recent past, and even quotes from historical documents. So, for example, in the poehimari Patriarch Tikhon, passages from the messages of the saint are actively used. We give only one example: "I appeal to you, archpastrics and shepherds, - Delica Esi Saint Tikhon, our Patriarch. - My Sons and Divorce in Christ, hurry with the preaching of repentance, antistake the enemy of the church by the power of faith of our friend. We call you for suffering with my own words of the Union of the Apostle: who will separate from LUVE God. " This poem is composed of the fragments of the two patriarchals of 1918 - Messages on the anathematization of creating lawlessness and persecutors of faith and the Church of Orthodox ("I call for all of you, the Archpastics, Shepherds, My Sons and Divine on Christ: Hurry up with a preaching of repentance, with a call to stop the fratricide Razd and destruction, with a call to the world, silence, to work, love and unity ") and the Patriarchal Messages about the Brest World (" Become on the defense of the insulted and oppressable Holy Mother of our Mother ... ").

    Services are written far from all holy, canonized in recent decades. Therefore, for the time being, they serve as a common world, that is, universal services of the martyr, the confessor, etc. Understanding these texts to glorify the saints of the new time is obvious. The situation of persecution of the first centuries of Christianity is too much different from what happened during the time of Bolshevit Persecution. That is why new shared services were written for martyrs and confessors of the 20th century. If the pre-revolutionary total mine is containing services for holiness (reverend, martyr, Christ for the sake of oborudy, etc.), which are needed as common as possible, then in the new general services it is possible to a certain time, which brings the text to time (the first three quarters of the XX century ) And the place (Bolshevik Russia).

    The authors of new texts have to give the names of the realities in Church Slavonic language, which in services written earlier did not meet. For example, it is well known that placing closed temples very often used as clubs. And in church services it is said that "the madness of the gogle workers ... Temples of God in the firm and shameful places are pleased." By the way, not only the creators of services are faced with the need to find images, but also icon painters. On the icon "Cathedral of new martyrs and confessors of the Russian" we see the tormentors, whose heads are decorated with boutons, in their hands they hold rifles with bayonets and pistols.

    Whether this revival of liturgical poetry will occur, does she take his place among other genres of verbal creativity? Will the number of connoisseurs of Russian gymnography increase? Now it is impossible to answer this question. But it can be remembered that in the middle of the XIX century, they looked at the icon painters as the epigal artisans, and already in the 20th century it was possible to talk about the noticeable development of the language of the icon. I would like the XXI century to become a century of a new opening of Orthodox gymnography.

    "Sometimes one word in prayer takes to tears. "

    Sometimes one word in prayer takes to tears. And of course, it is more important as to fall internally on his knees to God and live with God that happened than to him (or himself) pumped up of another prayer, which does not reach, because we are too late for the fact that you have just pertered.

    You know, there is another moment. We will read the readiness of the prayer to the prayer, the adscenes from the temptation with God (of course, not about themselves). And there is no strength and opportunities to squeeze yourself later into the juice, in crying about your gnahs. At such moments, it is necessary to stay with your flavor, because this is a babysitting, poesta, awe is a moment when we are with God. This is our feed from God, - How can we tell him: "Yes, but now where to read the prayer dpuchi"? This can not be done!

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    The word is ozm. About tears and what is required on our part to acquire the gift of tears 118. Vopr. How does the Rev. Nile learn about tears? The instruction of tears, or, as calls sv. Dissair, about the gland, the Rev. Nile connects with the previous instruction of

    The word ninth. About what should protect himself in every way after prayer, tears and generally after good deed

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    The word about the prayer of Jesus, starting talking about the prayer of Jesus, I remember the saying about the Lord of the Righteous Simeon: The CE lies on the fall and the uprising of many in Israel and in the sign barcable 86. The Lord was and there is a true sign, the stero

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    Who wrote "Our Father" and who generally writes prayers, can a simple person offer his prayer church?

    1. You will not believe, but, the same, Jesus himself. In the Gospel of Matthew, in Chapter 6 verse 9, the following is written (in 5 and 6 chapters, Jesus teaches their students some basics):

    "Pray as follows: our father, which is in heaven! Yes, the name is yours;

    yes, your kingdom will come; May will be the will of yours and on earth, as in the sky;

    our urgent bread give us to this day;

    and forgive us our debts, as we forgive our debtors to our;

    and do not enter us in temptation, but get rid of us from the evil. For yours is a kingdom and power and glory forever. Amen."

    2. "The simple person" of course can "offer." Moreover, a number of prayer texts are clearly connected with any personalities.

    As for the "Suggest the Churches", that in the same place, Matthew, 6: 5 everything is said about this: "And when they pray, do not be a hypocrites who love in synagogues and at the corners of the streets, stopping, praying to seem before people. " Think over this string, and attach it to your question and to yourself.

    There are many beautiful prayers written by people not only saints, but also literary gifted. Equally Favorite and Orthodox, and Catholics Thanks Prayer "You, God, Praised" (Te Deum Laudamus) Amvrosia Mediaan, Personal I am very beloved "Almighty, the word" Holy Antioch of Palestinian, beautiful in his short prayer of St. Joanniki, Prayer Ephraim Sirina, "which the priest repeats in the days of the sad great post" (Pushkin wrote its poetic arrangement). The name of John of Zlatoust says himself, the wonderful poet was John Damaskin, there is a poem at A.K. Tolstoy. And, of course, there is a psalter, the texts of which are always happy and console both spiritually and aesthetically. In general, probably, we can say that in the church literary world the same rule is applied as in secular: that your words are repeated, they should be not only deep in content, but also beautiful in shape.

    The theologians Reynold Nizur in his preaching said the beautiful, sincere words who later became a prayer: "Lord, let me patience to accept what I am unable to change, give me the strength to change what is possible, and give me wisdom to learn to distinguish the first from the second ".

    Incomprehensible words of prayer. Part 1

    Please give me the answer or simply transfer places in the prayers of the morning rule. I can not find anywhere. 1. He has a premium, or the delights of the autumn; 2. Through Bo from the affairs of the Sauchi, to be stuck grace and the gift, but the debt is pucha. 3. Do not crank care from the all-weevive me.

    Nikolai, all these expressions cannot be understood in the detachment from the text of all prayer, in the separation of previous words. The author of the prayer tells us that God is the original and eternal light, which has no change in strength and leaves a darkened place in its path. These words show the difference in light material from the Light of the Divine

    Premium and the delight of the oeden is the translations of the Greek words to Slavic. So, the first word means that the material light has periodic changes. We know that the light is the morning, day, evening, i.e. of different strength, and the divine light is always the same, having no difference in force. It is even called in other prayers with the light of the inepent, the light is quiet.

    The second phrase indicates that visible light, lighting items, always gives the shadow, refracted when illuminated, and the Light of the Divine does not give shadows, but all the same all illuminates and enlightens.

    The words you give are ... In addition, it is a grace and a gift, but the debt is walked ... And ... Do not ride more people justifying me ... belong to one prayer, so they should explain them in accordance with all its text.

    It is impossible to say who the author of Jesus prayer. Maybe the requests with whom people treated to the Savior in the times of earthly sermons became her prototype. "Lord, save me", "Lord, healed me" - Isn't it today and is the basis of each prayer?

    Archimandrite Sofronia (Sakharov) writes that the Lord himself gave a dogmatic basis for her appearance. "Dynam you did not ask anything in my name; Ask and get that your joy is perfect ... True I tell you: what is neither ask the Father in my name, will give you "(John 16:24, 23).

    The gospel contains a lot of evidence that the disciples of Christ performed this unit. "Seventy students returned to be happy and said:" Lord, and demons obey us about your name ", and another case:" We have seen a person, the name of your expelled demons "(Lux 10:17, 9:49). The literal formulations of their prayers have not reached us, but the most accurate and briefly reports to Jesus prayer. The tradition of calling the name of God in prayer took shape in these words during the first fathers-deserters. Their exploits were based on the appearance of Isychasm.

    The degree of Jesus prayer

    Isicham. Translated from Greek - silence, pacification, freedom, solitude. This spiritual and practical business arose in the monastic medium, and continuous Jesus prayer is one of its indispensable components.

    Archimandrite Sofronia (Sakharov) Calls the degree of ascent in Jesus Prayer:

    1. Oral - Jesus Prayer is pronounced out loud, attention is focused on behalf of and words. She helps to calm thoughts, focus. It is also called - labor. Such prayer is available to every person.

    2. Smart prayer is mentally pronounced. This prayer can be done constantly, doing any business.

    3. Clever heart prayer. At the same time, the unity of the heart and mind is achieved. They say: "The mind enters the heart and there is a prayer."

    4. Important. Prayer so firmly strengthened in the heart, which no longer requires a special effort. She, as if he herself sounds in the heart, attracting the mind there.

    5. Fertile prayer is the highest degree of a prayer state, in which a person does not leave the feeling of God's grace. This condition is often combined with the vision of the Favorsky light.

    When prayer is to harm

    However, the holy fathers warned against independent attempts to comprehend the highest degrees of prayer. Since the person who risen on this path is exposed to great temptations and, without having a wise spiritual mentor, can bring his soul greater harm than the benefit.

    Many devotees to protect orthodox people From delusions, they gave wise tips to whom he should listen to those who want to learn to pray correctly. .

    Jesus Prayer may accompany a person at work and on vacation. Holy Fathers advise to pronounce it as often as possible. The main thing is that the words did not begin to slip mechanically and thoughtlessly.


    Take yourself, tell me friends!

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