The poem "was the early spring" Tolstoy Alexey Konstantinovich. Alexey Konstantinovich Tolstoy
Alexey Konstantinovich Tolstoy
That was early spring,
Grass barely
Streams flowed, did not steam me,
And greens of groves swayed;
Pipe shepherd in the morning
I have not sang a ring
And in curls even in Bor
There was a fern thin.
It was early spring
In the shadow birch was
When with a smile before me
You are the eyes lowered.
Then on love my in response
You lowered the defenders -
About life! About the forest! About the sun light!
About youth! About hope!
And I cried before you,
Your lick looking cute, -
To was early in spring
In the shadow birch was!
It was in the morning of our years -
About happiness! About tears!
About the forest! About life! About the sun light!
About fresh birch spirit!
The Hero of Tolstovsky Lyrics links the image of a resurrection nature with memories of distant youth. In the work "On the days of last happening ..." The state of the soul is displayed, which give rise to the feelings of the first spring heat. Joyful excitement and funny dreams of youth, supported by the paintings of the wake-up of the living world, are replaced by sadness caused by the Thieves of "Was" happiness.
A retrospective view of the events of youth is presented in the poem of 1871: the artistic space depicted is separated from the position of the lyrical subject in the present.
The first quatrains, asking the meditative tone to the text, are devoted to landscape sketch. Staines determines the temporary coordinates of the lyrical situation - early spring. Clearly pronounced theme causes a complex of natural images: a young grass, the first greens of trees, full-flowing streams. Of the total row, the original image of the revealed fern leaves, metaphorically likened curls. The landscape dominants are concentrated here, the structure of which is based on denial: the spring sun does not bring heat, there are no loud sounds of a shepherd horn.
In the third katrene, a smooth change of the subject is happening - with landscape on love. The effect of naturalness is provided by the first two-be-oxide containing refrain and string about the "Shadow Berez". Describing the details of the natural world, the poet simultaneously indicates spatial landmarks that serve as expressive decorations for a love scene.
In the second part of the text, emotional heat increases: raised copyright intonations increase to enthusiastic, severe rhetoric exclamations. The episode was saturated with reminiscence from Goethe's heritage, which addressed such a stylistic reception, depicting the spring delight of the in love.
Traditional, uncomplicated at first glance Scene a date reports the reader about the details psychological portrait Young couple. He just sounded recognition in love, and he was inspired by the scene, inspired, with tears of happiness in his eyes, and she, embarrassed, but met sincere words with a joyful smile.
Evaluating the events of the past, the lyrical entity resorts to the "Morning Morning" formula, accompanying the metaphor already mentioned by the exclamation complex. Admiration, self-challenging dignification complement the bright sadness and regret the last spring life.
It was early spring
Grass barely
Streams flowed, did not steam me,
And greens of groves swayed;
Pipe shepherd in the morning
I have not sang a ring
And in curls still in Bor
There was a fern thin.
It was early spring
In the shadow birch, it was
When with a smile before me
You are the eyes lowered.
Then on love my in response
You lowered the defenders -
About life! About the forest! About the sun light!
About youth! About hope!
And I cried before you,
Your lick looking cute, -
To was early in spring
In the shadow birch, it was!
It was in the morning of our years -
About happiness! About tears!
About the forest! About life! About the sun light!
About fresh birch spirit!
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Still poem:
- Blowing the valley in the spring, death dancing under the pine. Pleshing oars in the harbor, death dancing in Savan. Gathered, darling, sailing, yes I forgot to ask me. Will that I would not let me go. Breathe lilies in the spring, ...
- The world is clear with his spring, people are clear with their holiday (my window glitters, like everyone else), the death of my tulips is clear (she settled in them, barely cut them, even though ...
- The photo in the newspaper is unclearly depicted fighters, almost children, the heroes of world war. They shot before the fight - in an embrace, four of the Rib. And it was the sky blue, there was a green ...
- I was a pity that he will not understand me whoever with his life did not ride, who did not return to the soul with a nasty domestic house on the verge of Magl and the day. When...
- Oh, however, there are people in different ways. Early spring! Other, she is not at all clamped, they are wandering, as more often than forests, where everything was covered with white snow, goes on the beast of gloomy beasts; Other, even ...
- Over the thawing roofs of early spring Cattle winds We will send South-West: in them - the life of unlike peoples, and heat, dense vineyards showing the smell. Drinking them on the summer of catching, and you will hear ...
- Before the spring there are days such: the meadow is resting under dense snow, the trees are no longer dry, and the warm wind is gentle and elastic. And the ease of its body is divided, and you will not know your homes, and ...
- Yes, I see, - madness was: in our time, it is sinful to love so much and souls of fertile forces about a single feeling. But, perhaps, we and we are right: fascinated ...
- What spring is in the homeland? Weather. Waves are inevitably hitting the shore. On the colors of infused water from eight lakes. Drove, like BRAG, Dark Buckets Guys in the most joyful years, Not...
- What happened, it was: Sunset Saalen ... I loved myself - no one ordered. My friends are not swearing, I do not cortex relatives. He froze in warmth and grouper. What was, it was ... hide ...
- Snow cried, and the shadows of blue from black stretch the trunks, the entire fairy tale of Iney, heard the sound of the Sunday words. Fields, snow veins, black wet here and there. They led to those enlightened to unattainable ...
"That was the early spring ..." Alexey Tolstoy
It was early spring
Grass barely
Streams flowed, did not steam me,
And greens of groves swayed;Pipe shepherd in the morning
I have not sang a ring
And in curls even in Bor
There was a fern thin.It was early spring
In the shadow birch was
When with a smile before me
You are the eyes lowered.Then on love my in response
You lowered the defenders -
About life! About the forest! About the sun light!
About youth! About hope!And I cried before you,
Your lick looking cute, -
To was early in spring
In the shadow birch was!It was in the morning of our years -
About happiness! About tears!
About the forest! About life! About the sun light!
About fresh birch spirit!
Analysis of the poem of a thick "That was the early spring ..."
The Hero of Tolstovsky Lyrics links the image of a resurrection nature with memories of distant youth. In the work "" The state of the soul is displayed, which give rise to the feelings of the first spring heat. Joyful excitement and funny dreams of youth, supported by the paintings of the wake-up of the living world, are replaced by sadness caused by the Thieves of "Was" happiness.
A retrospective view of the events of youth is presented in the poem of 1871: the artistic space depicted is separated from the position of the lyrical subject in the present.
The first quatrains, asking the meditative tone to the text, are devoted to landscape sketch. Staines determines the temporary coordinates of the lyrical situation - early spring. Clearly pronounced theme causes a complex of natural images: a young grass, the first greens of trees, full-flowing streams. Of the total row, the original image of the revealed fern leaves, metaphorically likened curls. The landscape dominants are concentrated here, the structure of which is based on denial: the spring sun does not bring heat, there are no loud sounds of a shepherd horn.
In the third katrene, a smooth change of the subject is happening - with landscape on love. The effect of naturalness is provided by the first two-be-oxide containing refrain and string about the "Shadow Berez". Describing the details of the natural world, the poet simultaneously indicates spatial landmarks that serve as expressive decorations for a love scene.
In the second part of the text, emotional heat increases: raised copyright intonations increase to enthusiastic, severe rhetoric exclamations. The episode was saturated with reminiscence from Goethe's heritage, which addressed such a stylistic reception, depicting the spring delight of the in love.
Traditional, uncomplicated at first glance, the scene reports to the reader about the details of the psychological portrait of a young couple. He just sounded recognition in love, and he was inspired by the scene, inspired, with tears of happiness in his eyes, and she, embarrassed, but met sincere words with a joyful smile.
Evaluating the events of the past, the lyrical entity resorts to the "Morning Morning" formula, accompanying the metaphor already mentioned by the exclamation complex. Admiration, self-challenging dignification complement the bright sadness and regret the last spring life.