Donkey and nightingale drawing

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Donkey saw the Nightingale
And he says to him: "Listen, buddy!
You, they say, are a great master of singing.
I would really like
Judge for yourself, hearing your singing,
Is your skill really great? "
Here the Nightingale began to show his art:
Clicked, whistled
A thousand frets, pulled, poured;
Then gently he weakened
And languid in the distance with a pipe he gave,
It suddenly crumbled in small fractions across the grove.
All listened then
Favorite and singer of Aurora;
The breezes died down, the choir birds fell silent,
And the flocks lay down
Breathing a little, the shepherd admired him
And only sometimes
Listening to the Nightingale, he smiled at the shepherdess.
The singer died. Donkey, staring at the ground with his forehead,
"Fairly," he says, "it's not true to say,
You can listen to you without boredom;
It's a pity that I'm unfamiliar
You are with our rooster;
You would have perked up more,
When would I learn a little from him, "
Hearing such judgment, my poor Nightingale
He flew up - and flew over the distant fields.
God save us from such judges.

Moral of Ivan Krylov's fable Donkey and Nightingale

God save us from such judges

Morality in your own words, the main idea and meaning of the fable Donkey and Nightingale

You cannot judge without knowledge of the matter. You cannot listen to judges who do not understand the issue or are simply stupid. Sometimes it is impossible to correctly assess an event or action if all the circumstances are unknown.

The donkey met a nightingale and asked him to sing. He sang and was beautiful. All were heard. But the donkey advised him to learn from the rooster. The nightingale flew away.

Analysis of the fable Donkey and nightingale, heroes of the fable

The main characters of the fable are a donkey and a nightingale. The fable begins right from the development of events. Each of the heroes is an indicator of opposite qualities.

Nightingale Is a beautifully singing bird. Everyone likes his singing. His voice was given by nature. In the form of a nightingale, Krylov shows a man, a master of his craft. The nightingale is proud of his voice, because everyone who hears his singing appreciates his talent. Krylov chose words well to describe the situation around the nightingale, as well as the reactions of other animals.

Have donkey on the contrary, there is neither hearing nor voice. Despite this, he believes that he has the right to evaluate the talent of the nightingale. Due to the fact that he has no ear for music, he says that even a rooster would have sung better. Comparing the nightingale and the rooster, this makes us even more convinced of how stupid the donkey is. By this he offends the nightingale, because everyone admires his singing. Comparing the nightingale and the rooster, the donkey thereby shows that he has no idea about the real art of singing.

In the role of a donkey, on the contrary, a person who has no idea about this craft. Despite the fact that the donkey understands nothing about singing, he tells the nightingale that he sings badly. This often happens among people. A person who does not understand anything in the profession tells the master what to do and how to do it. In this fable, the donkey is presented as an ignoramus.

The meaning of the fable is that people who are often not versed in any profession give advice to the masters. They criticize and point out that they are doing something wrong. But real criticism can be given by the same professional as this person. In this case, the professional is the nightingale. And only nightingales like him can give criticism.

The author makes fun of the donkey's disrespect for the nightingale. He makes it clear that you cannot judge someone if you yourself do not understand it. But after all, here we are talking not only about them, but also about ordinary people. In everyday life, people experience the same thing.

Before judging someone, you need to think about whether you can do it yourself. If a person has no idea about this craft, then he cannot judge it either.

This will require proving that the judging person cannot do something like a professional. In this case, if the nightingale asked the donkey to sing as well, then naturally he would not be able to. Thus, he would be able to prove that the donkey has no right to judge his singing.

The fable "The Donkey and the Nightingale" was written no later than 1811. She was born thanks to one story that happened with Krylov. Ivan Andreevich was well aware of his strength in the genre of fables. One nobleman decided to personally meet the fabulist. He summoned him to his office and asked him to read two or three fables. Krylov artistically read several fables and between them one borrowed from La Fontaine. The nobleman favorably listened to the fables and thoughtfully asked why Krylov did not translate the fables like Ivan Dmitriev? Wounded, Krylov replied that he could not, but upon returning home, hurt for a living, he wrote the fable "The Donkey and the Nightingale", in which he poured out the bile that remained from the visit of the grandee.

The fable tells how the Donkey, having heard the wonderful singing of the Nightingale, complained that the Nightingale was unfamiliar with the Rooster, from which, according to the Donkey, the Nightingale could learn the skill of singing. Under the Nightingale in this fable, Krylov understood himself. There are several versions about the Donkey. Some believed that Donkey meant a nobleman who put Dmitriev above Krylov. Someone spoke about Prince A.N. Golitsin. Still others were inclined towards the candidacy of Count Razumovsky. But it is not known for certain which of the nobles served as a prototype for the Donkey. It is possible that this is a collective image.

But this story was not the only reason for the writing of the fable. Krylov had previously met people who self-confidently judged deeds and things about which they had not the slightest idea. Such "judges" are characterized by a certain contradiction in behavior. They are self-confident, but, as a rule, they are ignorant. Such a contradiction causes ridicule from any outside observer. It is with mockery that Krylov in his fable refers to people of this kind.

Krylov, deciding to ridicule a similar phenomenon that occurs in our life, chose an allegorical way to depict it. He presents a skillful artist in the form of the Nightingale. The choice was made well, since Nightingale more than anyone else can be likened to a talented artist. The judge in the fable is the Donkey, with whom the readers have the concept of stupidity and stupidity.

Since the characters' characters are clear to the reader, the author begins the fable right from the development of the action. The donkey wants to check other people's rumors about nightingale singing and calls the singer to him. Since the entire power of the story must lie in the contradiction between the ignorant judgment of the Donkey and the wonderful art of the nightingale, Krylov describes the nightingale art in detail, emphasizing how beautiful it is. Then he shows the impression that the Nightingale made on everything around him, and finally goes on to the donkey's judgment. The judge speaks condescendingly about singing and only regrets that the Nightingale is unfamiliar with the rooster. The rooster was chosen here in order to depict the taste of the donkey without further ado: what can there be more opposition than in the singing of the Nightingale and the crow of the cock? In this opposition, the irony of the writer is mainly concentrated, which is further strengthened by Nightingale's advice to learn a little from the rooster. What could the Nightingale do with this advice? What he did: "He flew up and flew over the distant fields."

Allegory and irony are the basis of the literary treatment of this plot. Allegory is based on similarities, irony on opposites. Since the action of the fable is taken from real life, the expressions of the characters are borrowed from the same place.

Krylov is a great master of expressing himself in the folk spirit; but right there next to such expressions as "friend, master", there are others who do not go in tune with them, for example, "everything then listened to the favorite and singer of Aurora."

Speaking further about the impression that the Nightingale made with his singing on everything around him, Krylov admits a certain exaggeration: “the breezes have died down, the birds of the choir have fallen silent and the herds have lay down”. Also, the images of a shepherdess with a shepherdess are taken from an imaginary happy shepherd's life, which was described in various works of that time. The so-called "shepherd's" poetry developed in the literature of Western peoples, passed on to us and caused imitation.

The moral of the fable "The Donkey and the Nightingale" is as follows: "Deliver, God, and us from such judges"

What is the main meaning of the fable "The Donkey and the Nightingale"?
The situation is wrong when an ignoramus begins to judge cases in which he does not understand, is not a specialist. Only a specialist in this topic can criticize in a constructive way and give advice.

What shortcomings does Krylov make fun of in the fable "The Donkey and the Nightingale"?
Criticism, incompetence, ignorance, inability to be objective, stupidity, biased preaching.

One of the most common vices of all mankind is the love of evaluating everything and everyone, regardless of the existence of grounds for this, the necessary knowledge and other things. This vice formed the basis of the fable "The Donkey and the Nightingale".

Fable "Donkey and Nightingale"

Donkey saw the Nightingale
And he says to him: “Listen, buddy!
You, they say, are a great master of singing.
I would really like
Judge for yourself, hearing your singing,
Is your skill really great? "
Here the Nightingale began to show his art:
Clicked, whistled
A thousand frets, pulled, poured;
Then gently he weakened
And languid in the distance I gave myself a pipe,
It suddenly crumbled in small fractions across the grove.
All listened then
Favorite and singer of Aurora;
The breezes died down, the choir birds fell silent,
And the flocks lay down
Breathing a little, the shepherd admired him
And only sometimes
Listening to the Nightingale, he smiled at the shepherdess.
The singer died. Donkey, staring at the ground with his forehead,
“Fairly,” he says, “it's not true to say,
You can listen to you without boredom;
It's a pity that I'm unfamiliar
You are with our rooster;
You would have perked up more,
When would I learn a little from him ”,
Hearing such judgment, my poor Nightingale
He flew up - and flew over the distant fields.
God save us from such judges.

The moral of Krylov's fable "The Donkey and the Nightingale"

The moral in the fable "The Donkey and the Nightingale" is the result of the narration: the author has concluded it in the last line. Although even without it, it is obvious to the reader how ridiculous and absurd the assessment looks to those who do not understand at all what they are judging.

Analysis of the fable "The Donkey and the Nightingale"

In the presented fable, the main action unfolds between two heroes: the Donkey and the Nightingale.

1. The first is an ignoramus, who does not understand anything in singing and does not have a musical ear at all, but he is so self-confident as to undertake to evaluate the nightingale's singing.
2. The second is a real talent (this is confirmed by the author's numerous epithets addressed to him, and the descriptions of the actions that took place during his singing with others), a master of his craft, and everyone knows about this, except for the Donkey, who asks the bird to demonstrate his skills.

Absolutely not understanding music and being a stupid animal by nature, the Donkey criticizes what he heard and encourages the Nightingale to take lessons from the rooster - a noisy bird that screams in the morning without hearing and melody. Offended by such a comparison, the Nightingale, without dropping a word, simply flies away.

Through the prism of the situation described in the fable "The Donkey and the Nightingale" Ivan Andreevich wanted to show the reader how stupid it is to take offense and prove something to the judges, who most often do not understand what they are criticizing / judging at all. The reason for this teaching was a real incident from the life of Krylov, when one of the nobles of that time (according to some it was Count Razumovsky, according to others - Prince A. N. Golitsyn) asked the fabulist to read out several of his works, and then asked, why they differ from those written by Ivan Ivanovich Dmitriev, thereby insulting the "Nightingale" of Russian literature.

Winged expressions from the fable "The Donkey and the Nightingale"

“God save us from such judges” is a reproach phrase from the fable “The Donkey and the Nightingale” to an ignorant critic.

The reason for the creation of the fable was a case from the life of Krylov: "Some nobleman (according to some, Count Razumovsky, according to others, Prince A.N. Golitsyn), perhaps following the example of Empress Maria Fedorovna, who patronized the poet, and maybe, sincerely wishing to make acquaintance with him, he invited him to his place and asked him to read two or three fables-fables. Krylov artistically read several fables, including one borrowed from La Fontaine. The nobleman listened to him favorably and thoughtfully said: "This is good but why don't you translate like Yves. Yves. Dmitriev? "-" I don't know how, "the poet replied modestly. That was the end of the conversation. Returning home, the fabulist, offended, poured out his bile in the fable" The Donkey and the Nightingale. " into literature.
Here the Nightingale began to show his art ... - The description of the nightingale's singing and the impression made by him aroused the unanimous approval of his contemporaries and subsequent critics.

Donkey and nightingale
Donkey saw the Nightingale
And he says to him: "Listen, buddy!
You, they say, are a great master of singing.
I would really like
Judge for yourself, hearing your singing,
Is your skill really great? "
Here the Nightingale began to show his art:
Clicked, whistled
A thousand frets, pulled, poured;
Then gently he weakened
And languid in the distance I gave myself a pipe,
It suddenly crumbled in small fractions across the grove.
All listened then
To Aurora's favorite and singer:
The breezes died down, the choir birds fell silent,
And the flocks lay down.
Breathing a little, the shepherd admired him
And only sometimes
Listening to the Nightingale, the shepherdess
The singer died. Donkey staring at the ground with his forehead;
"Fairly," he says, "it's not true to say,
You can listen to you without boredom;
It's a pity that I'm unfamiliar
You are with our rooster;
You would have perked up more,
Whenever I could learn a little from him. "
Hearing such judgment, my poor Nightingale
He fluttered and - flew over the distant fields.
Deliver, God, and us from such judges.

Read by I. Lyubeznov

Ivan Alexandrovich Lyubeznov. Date of birth ... Lyubeznov I. A. - the first husband of the People's Artist of the USSR Marina Alekseevna Ladynina (1908-2003).

Ivan Andreevich Krylov (February 2, 1769, Moscow - November 9, 1844, St. Petersburg) - Russian poet, fabulist, translator, employee of the Imperial Public Library, State Councilor, Full member of the Imperial Russian Academy (1811), ordinary academician of the Imperial Academy of Sciences in the Department Russian language and literature (1841).
In his youth, Krylov was known primarily as a satirist writer, publisher of the satirical magazine "Mail of Spirits" and the parody tragicomedy "Trumph", which made fun of Pavel I. Krylov is the author of more than 200 fables from 1809 to 1843, they were published in nine parts and were reprinted in very large editions for those times. In 1842, his works were published in German translation. The plots of many fables go back to the works of Aesop and La Fontaine, although there are many original plots.
Many expressions from Krylov's fables became winged.
IA Krylov's fables were set to music, for example, by AG Rubinstein - the fables "The Cuckoo and the Eagle", "The Donkey and the Nightingale", "The Dragonfly and the Ant", "The Quartet".

I. S. Turgenev wrote: “From childhood, Krylov was a typical Russian person all his life: his way of thinking, views, feelings and all his writings were truly Russian, and it can be said without any exaggeration that a foreigner who thoroughly studied Krylov's fables, will have a clearer idea of ​​the Russian national character than if he reads many essays on this subject. "

In this lesson, you will learn about another vice of Russian society, exposed by the great fabulist.

The fable, which will be discussed, was written more than a hundred years ago, but has not lost its relevance to this day.

Rice. 1. O. A. Kiprensky. “Portrait of I.A. Krylov ", 1816 ()

The reason for the creation of the fable was an incident from the life of Krylov (Fig. 1): “A nobleman (according to some - Count Razumovsky, according to others - Prince AN Golitsyn), perhaps following the example of Emperor. Maria Feodorovna, who patronized the poet, or perhaps sincerely wishing to make acquaintance with him, invited him to her place and asked him to read two or three fables. Krylov artistically read several fables, including one borrowed from La Fontaine. The nobleman listened to him favorably and thoughtfully said: "That's good, but why don't you translate like Ivan Ivanovich Dmitriev?" “I don’t know how,” the poet answered modestly. That was the end of the conversation. Returning home, offended by the fabulist poured out his bile in the fable "The Donkey and the Nightingale." Kenevich V.F. From "Bibliographic and Historical Notes to Krylov's Fables"

After the publication of the fable, Krylov began to be called "The Nightingale". This nickname has entered the literature.

Let's turn to the text of the fable.

Donkey and Nightingale (fig. 2)

Rice. 2. A still from an animated film based on the fables of I.A. Krylov "In the world of fables" ()

Donkey saw the Nightingale

And he says to him: “Listen, buddy!

You, they say, are a great master of singing.

I would really like

Judge for yourself, hearing your singing,

Is your skill really great? "

Here the Nightingale began to show his art:

Clicked, whistled

A thousand frets, pulled, poured;

Then gently he weakened

And languid in the distance I gave myself a pipe,

It suddenly crumbled in small fractions across the grove.

All listened then

To the favorite and singer of Aurora:

The breezes died down, the choir birds fell silent,

And the flocks lay down.

Breathing a little, the shepherd admired him

And only sometimes

Listening to the Nightingale, he smiled at the shepherdess

The singer died. Donkey staring at the ground with his forehead;

“Fairly,” he says, “it's not right to say,

You can listen to you without boredom;

It's a pity that I'm unfamiliar

You are with our rooster;

You would have perked up more,

Whenever I could learn a little from him. "

Hearing such judgment, my poor Nightingale

He fluttered and - flew over the distant fields.

Deliver, God, and us from such judges.

Vladislav Feofilovich Kenevich, a contemporary and the first systematic researcher of Krylov's literary activity, wrote in his Bibliographic and Historical Notes to Krylov's Fables: “It is known that Krylov was incomparably stricter towards himself than his readers: he copied the same fable many times , every time he altered it and was satisfied only when not a single word remained in it, which, as he put it, "he was bored." That is why we can assert that every word in I.A. Krylova carries a certain semantic load.

So, there are two key images in the fable: the Donkey and the Nightingale.

What words and phrases does the fabulist use to create the image of the Donkey? Let's turn to the dictionary.

"Buddy"- a familiar appeal to a friend (note that the Nightingale was not a friend of the Donkey, which makes his address even more familiar and negligent, which allows us to conclude that the Donkey is ill-mannered).

Further - the word "Master" seems to convey admiration. A master is a master, a virtuoso in his field, and even to a superlative degree. But the consonance with the word "friend", and even the obvious tautology "great master" again negatively characterizes the Donkey, testifying to his ignorance.

TAUTOLOGY(from the Greek tauto - "the same" and logos - "word, concept") - repetition of the same thing in different words. As a stylistic device, it belongs to the genus of pleonasm (excess).

"Considerably",- says the Donkey, after listening to the singing of the Nightingale. "Fairly" means "significant, excellent." However, in explanatory dictionaries, this word is always accompanied by the mark "colloquial", which means "colloquial". The same can be said for words "Staring" and "Perked up".

Participial turnover "Staring at the ground with his forehead" reminds us of donkey stubbornness. And right behind him is the advice to “learn a little” from the rooster, which, judging by the pronoun “our”, is a close friend of the Donkey. Now let's remember the famous proverb: "Tell me who your friend is, and I will tell you who you are." The limited rooster is a friend of the same ignorant Donkey.

The image of the Donkey makes the reader laugh. This image is called COMIC.

With what artistic means does Krylov convey the beauty and charm of the Nightingale's singing?

The Nightingale's singing resembles a whole concert. For this, Krylov uses a number of homogeneous members: verbs "Clicked", "whistled", "gave up", "crumbled"... And also a comparison with a pipe, a metaphor "Crumbled in small fractions", epithet "Languid" flute.

The singing of the Nightingale has a wonderful effect on all who heard it. He charmed everyone with his singing. He brought tranquility both to nature and to the life of people: "The breezes died down", "the birds fell silent", "the herds of animals lay down," "the shepherd admired the singing."

All listened then

To the favorite and singer of Aurora ...

AURORA- the goddess of the morning dawn (ancient Roman mythology).

Let's pay attention to one detail: the Nightingale does not speak at all, only sings, by this the author shows that the ignorant (vernacular and colloquial) is alien to this hero, unlike the Donkey, who constantly says something, while using mainly colloquial and vernacular vocabulary.

The author uses the technique antitheses, contrasting the Nightingale, a master of his craft, a true singer of nature, who captivates with his singing, and the Donkey, stupid, ignorant, ill-mannered, who does not understand anything in real art.

ANTITHESIS- a stylistic device based on a sharp opposition of concepts and images.

The fable describes a situation that often arises in real life. Someone self-confident and ignorant undertakes to judge what he has no idea about.

The moral of the fable lies in the words: "God save us from such judges too." With the help of allegory, the fabulist conveys to his reader the idea that if real art is often judged by those who do not understand anything about it, like the Donkey, then true masters, like the Nightingale, have a hard time.

MORALITY- this is an instructive conclusion from the main narrative, which is given at the beginning or at the end of the fable.

ALLEGORY- allegory - the image of an abstract concept through a specific image.

The fable "The Donkey and the Nightingale" was written by Ivan Andreevich Krylov more than a hundred years ago, but still has not lost its relevance, because such stupid judges as the Donkey can be found in life and in our time.

1. Krylov's Fables [Electronic resource]. - Access mode: http: ().
2. Librarian.RU. 19th century writers. Ivan Andreevich Krylov [Electronic resource]. - Access mode: ().
3. Ivan Krylov. 1769-1844 [Electronic resource]. - Access mode: ().
4. Krylov Ivan Andreevich [Electronic resource]. - Access mode: ().
5. Krylov Ivan Andreevich. Memories of Contemporaries [Electronic resource]. - Access mode: ().
6. Russian literature of the XIX century. Ivan Andreevich Krylov. 1760-1844 [Electronic resource]. - Access mode: ().

Homework

1. Prepare for an expressive reading of I.A. Krylova "Donkey and Nightingale".
2. * Create an illustration for I.A. Krylova "Donkey and Nightingale", using some techniques of creation comic Images. For example grotesque (exaggeration): the huge head of a Donkey, as a sign of a "big" mind, but an exaggeratedly small figure of the Nightingale, emphasizing that its significance is not in appearance, but in the ability to sing. Or detail... For example, the Donkey has glasses, which he does not need, because he sees perfectly well without them, so he looks not into glasses but over them.
3. * Suppose that the Donkey, because of his stubbornness, nevertheless decided to introduce the Nightingale to his friend Rooster and wrote about this in a letter. The nightingale is well-mannered and polite, so he answers the Donkey's letter. Small correspondence starts. Come up with this correspondence (keep the features of the speech of each of the characters).